The electrifying start of the singer-songwriter's first tour in five years saw a mammoth, fan-pleasing 44-song set and extravagant staging.
It was a flex of unmatched productivity – since her last tour in 2018, Swift has released four original albums (or, as she put it, “we added four new members to the family” with [Lover](https://www.theguardian.com/music/2019/aug/23/taylor-swift-lover-review), [Folklore](https://www.theguardian.com/music/2020/jul/24/taylor-swift-folklore-review-bombastic-pop-makes-way-for-emotional-acuity), [Evermore](https://www.theguardian.com/music/2020/dec/11/taylor-swift-evermore-rich-alt-rock-and-richer-character-studies) and [Midnights](https://www.theguardian.com/music/2022/oct/21/taylor-swift-midnights-review-small-hours-pop-rich-with-self-loathing-and-stereotype-smashing)) on top of two album re-recordings. In sheer scope of songs and devotion to lyrics, no artist can match her – a point she stomped home, from Miss Americana through the aptly titled Mastermind (with a dose of Karma at the end), in an indisputably epic start to the Eras era. The best showcases for her vocal abilities, then, were when she returned to her roots: one woman and an instrument, as on the acoustic versions of Mirrorball and her first-ever single, Tim McGraw. On that note, the scale of the production did make the earthy, whispery numbers on Folklore and Evermore (five and seven songs live, respectively), somehow work for a stadium (it helped that people sang along, as with almost every number, almost as loud as her vocals). When dialed up for the heavier, harder, synthier numbers (ie, anything not on Folklore or Evermore but especially Reputation, 1989 and Red), it could be difficult to hear her enunciate, or just grasp texture within the wall of cathartic sound. Mostly women and gay men (along with a few good sport boyfriends/husbands) dressed in the instantly recognizable iconography of her 10 albums – Reputation-era black leotards, Lover-era pastels, mock-ups of her 2021 Folklore Grammy dress, rhinestone-adorned bodysuits a la Bejeweled music video, and at least two men in “sexy baby” T-shirts (see:
Songs from “Red,” “Folklore” and “1989” came after, and then Swift performed a short acoustic set consisting of “Mirrorball” and “Tim McGraw” from her first, ...
Each era was accompanied by jaw-dropping sets, stunning choreography and, of course, custom outfits to represent each specific moment in Swift’s life and career. Swift ended the night with her most recent release, “Midnights,” bringing fans back to the present. Somehow, the only time Swift paused throughout the night was to make a quick outfit change, disappearing into thin air only to return in a brand-new (and often bejeweled) look.
At her epic opening show, the pop star played 44 songs and conjured actual magic. By Spencer Kornhaber. Taylor Swift posing with a microphone and ...
When she donned a glittering robe and began strumming that wounded ballad, it was the prestige of a magic show. Swift’s beloved 2010 album, Speak Now, emerged for only the keening “Enchanted,” sung by Swift in a ball gown amid a field of flowers. Giving fans the “Delicate” performance they’d agitated for on social media, Swift went comedic, delivering “You can make me a drink” as an impatient command, not a come-on. Then came the night’s first true gut punch, the ballads “Lover” and “The Archer.” For the latter, Swift stood alone, listing her vulnerabilities to a pulsing beat, until pyrotechnic sparks fell in a curtain behind her. “I see it—I see all of it.” The requisite giant snakes of Reputation, her 2017 [armored tank of an album](https://www.theatlantic.com/entertainment/archive/2017/11/reputation-taylor-swift-first-review/545561/), hung amid stark, vertically imposing scaffolding. Breaking: Taylor Swift is not simply a voice in our ears or an abstract concept to argue over at parties, but a flesh-and-blood being with a taste for sparkling pajamas and the stamina of a ram. For the segment devoted to the Swift created the vibe of an ecstatic cram session, like an epic outing with a far-flung bestie visiting for one night only. Then came the hugely awaited live debut of the fan favorite “Cruel Summer,” a track emblematic of Lover’s careening, happy-go-lucky maximalism. “So, uh, is it just me or do we have a lot of things to catch up on?” Swift asked early on, sitting behind a piano whose mossy encrusting gave it the look of long-submerged treasure and helped underscore her point. All concerts are conjurings, turning the audience’s idea of a performer into a real thing, but last night’s kickoff of Taylor Swift’s Eras tour in Glendale, Arizona, heightened the amazement with Houdini-escapes-handcuffs physicality.
Taylor Swift fans know all too well she's a brilliant performer. But never in our wildest dreams did we expect the Eras set list to be so enchanting.
- "Karma" - "22" - "Lover"
Taylor Swift's 'Eras Tour' kicked off on Friday night in Glendale, Arizona during a three-hour show that ran through hits from every era of the ...
She also sang "Tim McGraw" at the piano, a song from her earliest era in 2006. Swift stood on a set decorated like the moss covered "Folklore" cabin seen in serveral of her music videos. It's a fair question, given this tour is the first for Swift since her "Reputation" shows in 2018.
Taylor Swift performs onstage for the opening night of “Taylor Swift | The Eras Tour” at State Farm Stadium on March 17, 2023 in Swift City, ERAzona (Glendale, ...
The Eras Tour” at State Farm Stadium on March 17, 2023 in Swift City, ERAzona (Glendale, Arizona). Swift is seen giving it her all as she performs songs from Taylor Swift, Fearless, Speak Now, Red, 1989, Reputation, Lover, Folklore, Evermore and Midnights — debuting many tracks from her latest releases live on tour for the first time, in sparkling bodysuits and gowns that don’t disappoint. Taylor Swift performs onstage for the opening night of “Taylor Swift Swift described herself as “really overwhelmed, and trying to keep it together all night,” but pulled off a spectacular three-hour-and-15-minute concert — backed by her crew of talented touring musicians and dancers — in front of thousands of fans, seemingly with ease. “Tonight, we’re going to be going on an adventure, one era at a time!” Swift announced a few songs into the show. She treated fans to music from every one of her eras so far, from her self-titled debut through Midnights, and brought to life beautifully staged visuals to go along with songs from each of her 10 full-length studio albums.
Taylor Swift's 'Eras Tour' kicked off on Friday night in Glendale, Arizona during a three-hour show that ran through hits from every era of the ...
Many companies that emerged to manufacture and procure PPE in the early days of the pandemic have gone bust. The union Unite said Friday more than 1,400 security guards are employed by Heathrow Airport. A voluntary recall has been issued for one sku of Nestle Good Start Soothe Infant Formula due to a potential bacteria contamination. president -- and the world is very different. The parents of young Ontario hockey player Ben Teague have been searching for answers since he died while at a team retreat in 2019. Canada's ambassador to the United States says U.S. Canadians' satisfaction with our country continues to decline, especially when it comes to perceptions of our political institutions, according to a new national survey by Nanos Research. She also sang "Tim McGraw" at the piano, a song from her earliest era in 2006. Swift stood on a set decorated like the moss covered "Folklore" cabin seen in serveral of her music videos. Swift also performed the ten-minute version of "All Too Well." It's a fair question, given this tour is the first for Swift since her "Reputation" shows in 2018. Ticket sales for the tour even broke Ticketmaster, something the singer called attention to on Friday when she told her audience she felt it was safe to assume that it had taken "a considerable amount of effort" for them to be there.
All the old Taylors came to the phone Friday night at State Farm Stadium in Glendale, Arizona. For the purposes Taylor Swift's Eras Tour, ...
Hearing the clubby thump of the latest single, “Lavender Haze,” kick in as the show enters its tenth and final stretch was a kick, in a pop world where most veteran performers put their new material in the middle of a show, rather than the climax. It’s redolent, actually, of how she ended the last tour with a similarly feisty and unexpected choice, “This Is Why We Can’t Have Nice Things.” “Karma” seemed like a throwaway to some when “Midnights” first came out, but it holds up as not just kind of a funny eff-you — and her funniest song, which is saying a lot in a catalog that includes “Blank Space” — but also a celebration of the good guys winning. Especially when that’s rumored as the next “Taylor’s Version” edition to be coming, that album made for a strange choice to be underrepresented. It’s really only a handful of the 44 songs that are represented as snippets, or passing parts of mashups, although the attentive will note nips and tucks here and there to smashes like “Style” that ultimately aren’t very consequential. As much delight as there is in hearing a hit as mammoth as “You Belong With Me” or an album track as dramatically indelible as “Don’t Blame Me” again, this tour’s greatest value may be in finally giving an airing to the “Folklore”/”Evermore” nexus of contemplative material, with or without the chimney smoke. I wanted to play one more song from that album, if you have an extra 10 minutes to spare.” And the song that once only showed up in sets in the wild-card spot now took its place as now and probably forever the centerpiece of her set, even if “All Too Well (10 Minute Version)” did indeed take a slot that probably could have been filled with enough other mashups to take the song count closer to 50. When “Style” occurs late in the show, you get a backward-tracking shot of Swift and her eight-women-strong girl squad moving in a single line toward the camera, to the suitable-for-marching beat. The visualization of “Tolerate It,” a number about a woman’s feelings of long-term emotional neglect, was played out with Swift standing on top of and eventually crawling across a dining room table of “Citizen Kane”-style length to literally get in the face of a disinterested partner. The stage set is as wide and almost as tall as it was for the “Reputation” tour, but most of that heft is put to use with a giant curved screen now, versus the sense of a multi-story dystopian city you got in 2018. A certain type of fan might wish she would reinvent some of her catalog music for the purpose of touring, but the star who has rendered her “Taylor’s Version” renditions as exact soundalikes has never see arrangement-tweaking as much of a priority. Actually, somewhere in that sequence the tour’s overriding structure came into focus — that this would really be the “Albums Tour,” with a less clunky name. And not just “the new ones.” As Swift reminded a crowd that needed little reminding a ways into Friday night’s tour opening, “We added four new members to the family” since everyone last convened for the “Reputation” tour in 2018.
Taylor Swift's "Eras Tour" kicked off on Friday night in Glendale, Arizona during a three-hour show that ran through hits from every era of the ...
She also sang "Tim McGraw" at the piano, a song from her earliest era in 2006. Swift stood on a set decorated like the moss covered "Folklore" cabin seen in serveral of her music videos. It's a fair question, given this tour is the first for Swift since her "Reputation" shows in 2018.
Taylor Swift's Eras Tour set list features a surprise song (or two) on each date of the the superstar's 2023 trek.
Swift brought the Red album opener down to its roots as a piano ballad in Glendale. “Tim McGraw” was the only track from her first album to make the Eras setlist in Arizona. [Swift said](https://youtu.be/hJwuVoo8jWU) at the very first Eras Tour concert, to a crowd of fans who were still gloriously spoiler-free about what was in store for the rest of the show. Below, check out the list of all the surprise songs she’s brought to The Eras Tour, courtesy of social media live streams and post-concert clips uploaded by Swifties in attendance. The show’s nightly secret song is sure to keep her fans on their tallest tiptoes, waiting to hear what gem will be unveiled at their concert. So that when you heard one on this tour, you would know it’s the only time that I was going to play it in the acoustic set, unless — caveat — unless I mess it up so badly,” she said with a small laugh, “that I have to do it over again in some other city.
Laura Dern and Emma Stone were among the famous faces who attended Taylor Swift's kickoff of the long-awaited Eras Tour.
The La La Land Academy Award winner could be seen briefly in the above TikTok post but was also a mood in a video captured by [another fan](https://twitter.com/theswiftsociety/status/163710504353390592), as she sang along to “Fearless”: One [TikTok](https://www.tiktok.com/@skstokenbury/video/7211933744830139694) user documented their jubilation: [@skstokenbury](opens in new tab) [♬ original sound - skstokenbury](opens in new tab) In the meantime, maybe you’d like to check out [Taylor Swift’s Eras era](https://www.cinemablend.com/television/every-taylor-swift-era-so-far-ranked) is officially upon us, as the artist kicked off her highly anticipated tour this weekend in Glendale, Arizona. The sold-out crowd of [nearly 70,000](https://go.redirectingat.com/?id=92X1640737&xcust=cinemablend_us_8123395303676518000&xs=1&url=https%3A%2F%2Fwww.azcentral.com%2Fstory%2Fentertainment%2Fmusic%2F2023%2F03%2F17%2Ftaylor-swift-eras-tour-setlist%2F70022488007%2F%23%3A~%3Atext%3DNearly%252070%252C000%2520people%2520celebrated%2520Taylor%2C%252C%2520Arizona%252C%2520on%2520March%252017.&sref=https%3A%2F%2Fwww.cinemablend.com%2Ftelevision%2Ftaylor-swifts-eras-tour-see-laura-dern-emma-stone-and-other-celebrities-having-a-total-blast) (opens in new tab) sang along to more than 40 of Taylor Swift’s best songs from all 10 of her albums during the three-hour shows, and concertgoers were sure to capture some of the more famous faces in the crowd. [opening of The Eras Tour](https://www.cinemablend.com/television/taylor-swift-did-the-viral-tiktok-bejeweled-dance-during-the-eras-tour-and-swifties-are-freaking-out), which featured shows in Arizona on Friday and Saturday.