Jane Fonda

Florida Congresswoman Anna Paulina Luna reported Jane Fonda to Capitol Police after she suggested "murder" as a way to push pro-choice activism.

[CLICK HERE TO GET THE FOX NEWS APP](https://www.foxnews.com/apps-products?pid=AppArticleLink) [Jesse Watters Monday](https://www.foxnews.com/video/6322555224112). "While women’s reproductive rights are a very serious issue and extremely important to me, my comment on The View was obviously made in jest," Fonda said in statement. [ABORTION GROUPS SILENT AS PRO-LIFE ADVOCATES CONDEMN JANE FONDA'S ‘MURDER’ SUGGESTION ON ‘THE VIEW’](https://www.foxnews.com/media/abortion-groups-silent-pro-life-advocates-condemn-jane-fondas-murder-suggestion-the-view) And so for people to go on national news outlets and make these calls of violence simply because they don’t like the fact that we are taking stands to protect life, I mean these people are unhinged. "Calling for murder of pro-life politicians like myself and many others is not only sick, but should be investigated," Luna wrote in a Tweet following Fonda's comments.

Actress Jane Fonda has been reported to the Capitol Police byRep. Anna Paulina Luna, R-Fla., for her suggestion that.

Fonda is a two-time Academy Award Winner for her roles in 1971's "Klute" and 1978's "Coming Home." While women’s reproductive rights are a very serious issue and extremely important to me, my comment on The View was obviously made in jest," Fonda said in a statement according to Fox News. ["80 For Brady." "Jane Fonda and The View, must issue a full retraction of Fonda’s sickening call to murder pro-life politicians and those who fight for the rights of unborn babies." some people quite simply need to die in order for society to improve." "She will be having to answer for these comments." Luna added that Fonda "did not retract or clarify that she was 'joking' with her statement." It’s amazing how the most successful propaganda the US has ever put out was convincing its people that violence is not an effective way to enact change," said one Twitter account. This leads to targeting and can result in someone being seriously hurt," Rep Luna added. We have experienced, many decades now, of having agency over our bodies, of being able to determine when and how many children to have," Fonda said on the show. We're not going back, I don't care what the laws are," Fonda added as the show's audience begins to applaud. Luna announced on Twitter that she had notified Capitol Police of "Jane Fonda’s call to murder pro-life politicians."

While soeaking on "The View" 85-year-old actress and abortion rights activist, Jane Fonda recommended "murder" as a possible solution to regaining abortion ...

The actor and activist warns that the fossil fuel industry is destroying the climate — and legislators won't do anything to stop it.

That means reporters, elected officials and the public have to recognize that our bias is allowing fossil fuel companies to get away with murder. Maybe then, we can all live in the safe and healthy communities we deserve. It is time to stop pretending and giving the fossil fuel industry a free pass. ... Reporters, elected officials, and we, the voters, should be giving the same treatment to climate disasters.” Our attitude towards the fossil fuel industry’s predatory behavior in these places mirrors our anemic response to failing schools, food insecurity and homelessness — we shake our heads and then ignore it. Those corporate executives would end up at a defense table in a criminal courtroom, and voters would oust the politicians who let this behavior go unchecked. Time and again, the people who suffer the most from our [a train derailed](https://www.wkbn.com/news/local-news/east-palestine-train-derailment/), pouring toxic chemicals into the air and water, potentially poisoning the town for decades to come. [at a plant that produces coal-derived fuel](https://www.yahoo.com/now/explosion-reported-steel-manufacturing-plant-220358445.html) to manufacture steel. When a crime occurs, reporters and politicians are quick to say who did it and how, and these cases often dominate discussions and coverage during legislative sessions and elections. It is always some industry, aided and abetted by the politicians Over the last several years, extreme climate disasters have increasingly rocked this country, destroying homes and taking lives.

When it comes to political frustrations, we're often told to censor ourselves for the sake of “respectability.” And I know the intentions there are good, ...

Look, close-minded people are gonna get angry no matter what you do, so you may as well make it clear that the pains inflicted on marginalized people in this country might just make a bitch contemplate murder, however jokingly. [why we love Jane Fonda](https://www.themarysue.com/jane-fonda-on-the-view-defunding-police/). In a highly frustrating attempt to derail the conversation, one co-host attempts to make this all about how Jane is an activist and will eventually win a Nobel Prize for her work, but Jane keeps her foot down. And hey, she does have a point, and a little bit of damage control is understandable. [We live in a pretty damn unfair world](https://www.themarysue.com/arkansas-joins-states-looking-to-loosen-child-labor-laws/), and therefore it’s only natural to get frustrated. In this video from her recent appearance on The View, Fonda adamantly declares that we’re “not going back” to the way things once were, specifically regarding a woman’s right to her own bodily autonomy.

Rep. Anna Paulina Luna (R-FL) said Hollywood icon Jane Fonda and The View hosts “need to be held accountable” for suggesting that pro-abortion rights women ...

"While women’s reproductive rights are a very serious issue and extremely important to me, my comment on The View was obviously made in jest," her statement sent to the Washington Examiner said. “For people to go on national news outlets and make these calls of violence simply because they don’t like the fact that we are taking stands to protect life, these people are unhinged. “It’s especially alarming being that Republican female members especially, as a whole, seem to be more targeted because a lot of these predators look at us like victims. Wade, [“murder” could be an option](https://www.washingtonexaminer.com/news/jane-fonda-murder-abortion-the-view) for activism. “They are supposed to pride themselves on being a channel that promotes women viewpoints, right? “Unfortunately, for Ms.

Jane Fonda and Lily Tomlin team up for well-made drama about a woman dealing, decades later, with the trauma of sexual assault.

The "9 to 5," "Grace and Frankie," "80 for Brady" duo team up in Paul Weitz's amusing and bittersweet comedy-drama about a woman with murder on her mind.

In the end, “Moving On” emerges as a feel-good movie by way of some feel-bad events, mainly that heinous slice of history between Claire and Howard. [“80 for Brady”](https://www.latimes.com/entertainment-arts/movies/story/2023-02-01/review-80-for-brady-jane-fonda-lily-tomlin-sally-field-rita-moreno) and “9 to 5” co-star, [Lily Tomlin](https://www.latimes.com/entertainment/movies/la-ca-mn-lily-tomlin-grandma-laff-20150607-story.html)), who makes a brash entrance at Joyce’s funeral — and is even more unfiltered at her memorial gathering. The murder thread picks up again in earnest in the film’s third act and manages to resolve itself in a series of surprising and satisfying if perhaps slightly convenient moves. But by then we’re so invested in Claire and her deep-rooted cause that, whatever happens, we just want to see her happy. If that’s no great shock, given the length, breadth and caliber of their careers, it’s still stirring and impressive to behold. [Jane Fonda](https://www.latimes.com/entertainment/movies/la-et-mn-jane-fonda-in-five-acts-review-20180920-story.html), in one of her best, most resonant film performances since she returned to the screen in 2005, stars as Claire, a twice-divorced grandmother and dog lover who travels from Ohio to L.A. Howard’s potential killing may be the springboard here, but this compact tale is about so much more than that. At times, the more audacious Evelyn proves an unexpected voice of reason. (The film was shot largely in Pasadena, Altadena and Burbank.) But Claire has an agenda beyond just honoring the memory of her departed pal: Now that Joyce is gone, Claire wants to kill Joyce’s husband, Howard (Malcolm McDowell), for vengeful reasons that will unfold as we go. But her mission is, admittedly, rather harebrained — in contrast to the seemingly circumspect Claire’s general demeanor. How and when she’ll accomplish that will, she hopes, present itself. [COVID-19 pandemic](https://nam04.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.latimes.com%2Fcalifornia%2Fcoronavirus-everything-to-know-right-now&data=04%7C01%7Ckevin.crust%40latimes.com%7C52633c0a516544dd252a08d9e81168f0%7Ca42080b34dd948b4bf44d70d3bbaf5d2%7C0%7C0%7C637795983749169191%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=EARyZgH1vGMtlQdur%2F61n5fLiwKXExOWtv3guJOFSn8%3D&reserved=0).

Jane Fonda and Lily Tomlin have great chemistry, but it's not enough to save this black comedy about vengeance and buried trauma.

His dark fate in the film is handled in a way that’s meant to be laughable — and is, but not in the way that’s intended. Tomlin, tart-tongued as ever, does her best to leaven the proceedings: There’s a throwaway subplot involving Evelyn’s mentorship of a young child (Marcel Nahapetian) who likes to wear her high heels and earrings, but it doesn’t go anywhere, and the charming, light touch of Tomlin and Nahapetian’s scenes together feels out of place in the larger context. When she proposes a meeting with her potential victim, and Howard suggests they get together at a local park in the company of Howard’s daughter (Sarah Burns) and three grandkids, Claire replies, incongruously, “Perfect!”

"Moving On" is a dark comedy with Jane Fonda and Lily Tomlin. They're funny, but they aren't a punchline. How to watch "Grace and Frankie" duo shine.

[Subscribe to azcentral.com today](https://offers.azcentral.com/specialoffer?gps-source=CPNEWS&itm_medium=onsite&itm_source=TAGLINE&itm_campaign=NEWSROOM&itm_content=BILLGOODYKOONTZ). Subscribe to [the weekly movies newsletter](https://profile.azcentral.com/newsletters/azcentral-at-the-Movies/). Twitter: [@goodyk](https://twitter.com/goodyk). Facebook: [facebook.com/GoodyOnFilm](https://www.facebook.com/GoodyOnFilm). It’s nice to see her with a chance to show that she’s still got her acting chops. When Claire arrives at the service to greet Howard (Malcolm McDowell), the husband of her late friend, she drops a surprising bombshell. It’s hard to imagine a more accepting person than Evelyn, who is about as live-and-let-live as they come. Turns out you can’t just waltz in and buy a gun in California, to Claire’s chagrin. An event from Claire’s past destroyed her, ending her first marriage to Ralph (Richard Roundtree) and haunting her ever since. There are several confrontations between the two, but a climactic one is a showcase for Fonda, the best thing she’s done — or been given to do — in years. It’s also a relief to see Fonda and Tomlin play women whose age is not discounted, but is also not disqualifying. “Moving On,” a dark comedy written and directed by Paul Weitz, isn’t a great movie by any means, but it’s a pretty good one.

Claire (Jane Fonda) arrives in California to attend the funeral of her old college roommate, and to inform the departed's husband Howard (Malcolm McDowell) that ...

At one point, Evelyn notes that she’s often mistaken for being “funny” when she’s really “just talking,” an idea that goes a long way to mitigate the potential shtickiness of Tomlin’s shuffling performance, which threatens to nudge into the red when her character is forced to make a scene. He also writes about movies and other pop-culture stuff for a bunch of outlets including Polygon, Inside Hook, Vulture, and SportsAlcohol.com, where he also has a podcast. Here, the movie refuses to pull punches and give Claire a grudge that can be softened into a pat lesson in forgiveness. Claire’s other ex-roommate, the more sardonic Evelyn (Lily Tomlin), does not exactly believe that Claire will go through with it, but she willingly accompanies her anyway as she goes through the motions of gun-shopping and murder-planning. Moving On takes its central conceit seriously enough to simultaneously admit that Claire’s plan to murder Howard may not be especially well-thought-out (can a visitor from Ohio really buy a gun in California?) and generate the suspicion that she may well go through with it anyway. Claire (Jane Fonda) arrives in California to attend the funeral of her old college roommate, and to inform the departed’s husband Howard (Malcolm McDowell) that she intends to kill him.

The invigorating success of both Jane Fonda and Lily Tomlin's television and film careers over the last few years cannot be overstated.

Tomlin––ever the ying to Fonda’s yang––enters the picture quite memorably and proceeds to steal moments where she can. The picture opens at the wake of an old friend of both Claire (Fonda) and Evelyn (Tomlin). About a decade ago both legends found themselves in a position to move back to the top of the call sheet.

*** On the heels of 80 for Brady, Jane Fonda embarks on another, far darker quest in Moving On. At an old friend's out-of-town funeral, Claire (Fonda) bluntly ...

The black sheep of a literally and emotionally bankrupt home, 9-year-old Cáit (Catherine Clinch) is shipped to her cousins’ idyllic dairy farm in Southern Ireland for the summer. If EO the donkey and the boys of Close didn’t drain your waterworks, The Quiet Girl is eager to try. *** Fans of Ari Aster and Robert Eggers tend to view the Scream movies as the Marvel films of the horror genre. The film’s relevance also manifests in Vanderbilt and Busick’s devious portrayal of the modern horror cinephile, satirizing the indie and elevated horror fans that will likely steer clear of this movie due to its capitalistic appeal. But it’s not just the contents of Sandra’s plate that suggest a put-upon person; it’s how Hansen-Løve allows all the other characters to monologue. The lead cast’s combined 240 years of on-screen confidence smooth the tone shifts, and writer-director Paul Weitz (About a Boy, American Pie) smartly pins Claire’s revenge plot to inequities in memory and absolution that haunt our cultural conversations—essentially, who gets to “move on.” R.

While a bit uneven, “Moving On” is frequently good fun, simply because stars Jane Fonda and Lily Tomlin have great chemistry, writes critic Moira Macdonald.

Ultimately, “Moving On” is about friendship, and who better than Grace and Frankie to show us that? But it’s always a pleasure to see Fonda and Tomlin, famously longtime friends both on and off the screen, together again, even in a project as uneven as “Moving On.” A few minutes into the movie, Claire arrives — clearly haunted by and upset about something, but we don’t know what — at the funeral of a friend. Claire (Fonda), perfectly coifed and lipsticked, is the more uptight one of the two; curly-haired Evelyn (Tomlin) is more freewheeling.

Jane Fonda and Lily Tomlin add some welcome danger to their shtick in "Moving On." We've seen the icons paired a lot — way back in 1980's "9 to 5," in seven ...

There seems to be a lot of Tomlin in her character, too. Claire doesn't get many of the jokes in the dark comedy but, like Fonda herself in talk show appearances, her earnest responses to strange situations are often amusing. Fonda's Claire is attending the funeral of a friend and she's speaking to the friend's husband (Malcolm McDowell), with whom she has some history that the movie will reveal.

Fonda and Tomlin have great chemistry but Paul Weitz's latest film is not the biting dark comedy its deadly premise would suggest.

Her entrance in the film is enough to make Moving On worth watching. Especially as it tries to argue that maybe the more things change, the more they stay the same. With [Moving On](https://www.avclub.com/film/reviews/moving-on-2022), coming shortly after the release of [80 For Brady](https://www.avclub.com/film/reviews/80-for-brady-2023), where they starred alongside Sally Field and Rita Moreno, it’s clear the two show no signs of stopping their comedic pas de deux. Upping the ante, Claire makes this known to her victim: “Now that it can’t hurt her, I’m going to kill you.” And while Evelyn is initially amused if unconvinced, she eventually agrees to help Claire out, for reasons that become clearer the more we learn about her own relationship with Joyce. And that is best left unspoiled—mostly because Tomlin’s emotionally grizzled performance deserves to be experienced in full. [9 to 5](https://www.avclub.com/film/reviews/9-to-5-1980), Netflix’s [Grace And Frankie](https://www.avclub.com/tv/reviews/grace-and-frankie) is a great primer on how much these two legendary actresses love working together.

Jane Fonda and Lily Tomlin add some welcome danger to their shtick in "Moving On." We've seen the icons paired a lot — way back in 1980's "9 to 5,"

Lily Tomlin and Jane Fonda play old college friends who are reunited by the death of their friend in the new film “Moving On,” written and directed by Paul ...

Two and a half stars out of four. It would be easy to play Howard as simply evil, but McDowell keeps his feet on the ground and allows for some humanity, in spite of everything. Regardless of what it is, everyone’s suppressed and repressed trauma is coming back with a vengeance. This is one of those rare films that balances a darkly comedic conceit with authentic, emotional resonance, allowing Fonda, Tomlin and co-stars Malcolm McDowell and Richard Roundtree to actually act rather than be demeaned by cheap caricatures of senior citizens. The on-screen pairing of Jane Fonda and Lily Tomlin is not exactly a novelty at the moment. Tomlin, as ever, spins gold out of every line — whether it’s cheesy, throwaway or well-written (and this pic has them all).