FAMED musician David Lindley became a household name thanks to his work with El Rayo-X and Kaleidoscope.Sadly, the legend passed away on March 3, 2023.
totally unique and influential, taste and chops and utter weirdness all melded together." Another added: "RIP david lindley. Thank you for bringing such joy to music lovers for so many years. [married to Joanie Lindley](https://www.the-sun.com/topic/celebrity-marriages/) and had [one daughter, Rosanne](https://www.the-sun.com/topic/celebrity-kids/). It will help his girls." Who was David Lindley?
David Lindley, multi-instrumentalist who played with Jackson Browne, Linda Ronstadt and more, died on March 3, 2023.
[Crosby](https://ultimateclassicrock.com/tags/david-crosby/) & [Nash](https://ultimateclassicrock.com/tags/graham-nash), [James Taylor](https://ultimateclassicrock.com/tags/james-taylor) and Ronstadt. At one point, I had the chance to go the [Kiss](https://ultimateclassicrock.com/tags/kiss/) route, but I decided to play what I liked. [Rock Cellar Magazine](https://rockcellarmagazine.com/behind-the-curtain-david-lindley/) in 2016. He was a prolific session musician as well, playing on albums by [Rod Stewart](https://ultimateclassicrock.com/tags/rod-stewart/), [Warren Zevon](https://ultimateclassicrock.com/tags/warren-zevon/), [America](https://ultimateclassicrock.com/tags/america/), [Joe Walsh](https://ultimateclassicrock.com/tags/joe-walsh/), Ry Cooder and more. [It's Psychedelic Baby Magazine](https://www.psychedelicbabymag.com/2011/06/kaleidoscope-interview-with-chris.html) in 2011. Born on March 21, 1944, in San Marino, Calif., Lindley played a variety of stringed instruments as a child, including violin, ukulele, banjo and fiddle.
Musician and songwriter David Lindley, who worked with such artists as Jackson Browne and Bob Dylan, passed away Friday at the age of 78, ...
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Lindley, an in-demand musician who recorded with everyone Linda Ronstadt to Warren Zevon, played the searing guitar solo on Browne's "Running on Empty."
While he was a fixture in Browne’s band, Lindley played sessions with many of the biggest stars of the mid-1970s. Around this time, Lindley struck up a partnership with Hani Naser, recording a series of albums with the Jordanian oud player. Lindley was a longtime resident of Claremont, Calif. Starting with 1991’s “A World Out of Time,” he and avant-garde guitarist Henry Kaiser released a series of albums based on field recording expeditions held in Madagascar and Norway. Over the next few decades, Lindley happily resided on the fringes of mainstream music but would occasionally re-enter the spotlight. After “Very Greasy,” a Ronstadt-produced album from 1988, Lindley lost interest in mainstream rock along with his major-label contract. Lindley headed to England, where he played with blues-rocker Terry Reid for a couple of years, appearing on Reid’s 1972 album, “River.” After completing his stint with Reid, Lindley joined Browne’s band. That year, Lindley landed his first notable session work when he played a variety of instruments on Leonard Cohen’s debut album, “Songs of Leonard Cohen.” Soon he became a trusted collaborator, appearing on every album Browne released between 1973’s “For Everyman” and 1980’s “Hold Out.” Ronstadt hired him for a trio of albums — “Heart Like a Wheel,” “Prisoner in Disguise” and “Simple Dreams” — and Rod Stewart brought him in to play on “Atlantic Crossing” and “A Night on the Town.” While producing Warren Zevon’s first album for Asylum, Browne had Lindley play fiddle and slide guitar; Zevon would hire Lindley again in the 1980s. After founding the psychedelic folk-rock group Kaleidoscope in 1966, Lindley supported many of the biggest stars of the era, establishing himself as a sought-after session musician through his work with Jackson Browne. The man was a giant.”
Musician David Lindley has died at the age of 78. He was known as the founder of El Rayo-X and a collaborator of Jackson Browne and Dolly Parton.
“You don’t play a Chuck berry solo in the middle of ‘Song for Adam.’ A Chuck Berry solo is a great thing, but not that for that moment.” Take him where he doesn’t speak the language and he will HAVE TO leave the gig and come with you to the restaurant, or to the club,” Browne shared in a statement in 2010, remembering his time with the musician in Spain. When remembering his time with Browne, Lindley shared a story of one of there first meetings with Rolling Stone: “Jackson was playing there and I borrowed a fiddle and sat in with him. Lindley also played with James Taylor and Linda Ronstadt as well as in his own bands, including Kaleidoscope and the Eighties band El Rayo-X. [The Section](https://www.rollingstone.com/music/music-news/the-section-knights-of-soft-rock-233728/), a crew of session musicians who shaped the sound of soft rock in the 1970s. Lindley stood out among the other session musicians, not only because of his impish demeanor, but also because of his raw talent. If the song was about a friend of Jackson’s who died, you play something appropriate for that,” Lindley told Rolling Stone in 2010. That was the beginning of it. “David could play pretty much any instrument you put in front of him with incredible versatility and expression.” “One of the most talented musicians there has ever been,” Nash wrote. The man was a giant.” I was genuinely obsessed with his playing from the first time I heard it.
Acclaimed Claremont musician and songwriter David Lindley has died. Lindley died today after reportedly being in ill health for several months. He was 78.
From his distinctive lap steel work on Jackson Browne’s early records, to his own explorations of the music of Turkey, Madagascar, Jamaica, and Greece — to name but a few musical cultures he studied and mastered — Lindley has influenced countless musicians and songwriters around the world for more than five decades. Lindley had long been a figure of renown in Claremont. That band released four records between 1966 and 1970 and helped lay the groundwork for what would become known as world music.
Best known for his slide work with Jackson Browne, Lindley also collaborated with the likes of Bob Dylan, Bruce Springsteen, Bonnie Raitt, ...
“He was also a wonderful person and a friend. He was truly a musician’s musician and has been admired with awe and respect for such a long time now. “Always his unique sound and style gave him away in one note.” [best surmised Lindley’s monumental talent](https://www.instagram.com/p/CpWK24VsBzM) (opens in new tab): “One of the most talented musicians there has ever been. I was genuinely obsessed with his playing from the first time I heard it.” We all went to watch people play at [famed California venue] Ash Grove and sat down with them afterwards and asked, ‘How do you play this?’”
David's friend Douglas Reynolds confirmed the sad news of his death on Friday and tributes have since been pouring in for the talented star.
I was genuinely obsessed with his playing from the first time I heard it. The man was a giant.' David played a key role in Jackson Browne's recordings and Browne helped bring David into the mainstream with the 1973 track For Everyman. 'Bills are still pouring in and there will of course be final expenses. 'Please listen to his solo albums, El Rayo X and Very Greasy. He wrote: 'I am saddened to pass on the news that my friend David left the planet this morning, March 3.
David Lindley, a guitarist during the 1970s and '80s whose soaring solo on Jackson Browne's “Running on Empty” cemented his legacy as a go-to session player ...
No cause of death was given, according to the [Los Angeles Times](https://www.latimes.com/entertainment-arts/music/story/2023-03-03/david-lindley-guitarist-jackson-browne-dies-79). The group released four albums between 1966 and 1970, the newspaper reported. “You don’t play a Chuck Berry solo in the middle of ‘Song for Adam.’ A Chuck Berry solo is a great thing, but not that for that moment.” “You sang them a song and got the (expletive) out of the way.” The song is the center of everything. I was genuinely obsessed with his playing from the first time I heard it.
ICONIC musician David Lindley has reportedly passed away at the age of 78.Lindley, who has worked with critically acclaimed musicians such as Bonnie R.
"RIP to my friend, dear David Lindley and all his many personalities and voices. "I am saddened to pass on the news that my friend David left the planet this morning, March 3. totally unique and influential, taste and chops and utter weirdness all melded together." Thank you for bringing such joy to music lovers for so many years. Another added: "RIP david lindley. 83 in on July 16, 1981, and spent 18 weeks on the chart. Bills are still pouring in and there will of course be final expenses. It will help his girls." One user wrote: "RIP to legendary guitarist, lap steel, violinist David Lindley a mainstay with Jackson Browne. Thank you to everyone who purchased a tee and donated to the fundraiser," said organizer Douglas Reynolds. "I am saddened to pass on the news that my friend David left the planet this morning," "Thank you to everyone who purchased a tee and donated to the fundraiser.
ICONIC songwriter David Lindley has died at the age of 78.The California musician, who worked with the likes of Jackson Browne and Dolly Parton throug.
The song is the center of everything. I was genuinely obsessed with his playing from the first time I heard it. His work with @OfficialWZevon and @JacksonBrowne made their music soar." I was horrible on it," he said. One of the most talented musicians there has ever been. I don’t think he gets the credit he should." He was also a wonderful person and a friend. Thank you to everyone who purchased a tee and donated to the fundraiser. 83 in on July 16, 1981, and spent 18 weeks on the chart. The man was a giant." One fan posted a photo of their favorite album and wrote: "Man, David Lindley is just absolutely virtuosic on this album. "Bills are still pouring in and there will of course be final expenses.
A master of multiple stringed instruments, Lindley stood out as a solo artist, band leader and musician of choice for Jackson Browne, Linda Ronstadt, ...
“It was fun to play out there, but the instruments kept going out of tune because of the moisture in the air. The lavish praise he has received from his past employers attests to his remarkable instrumental skills and his unerring ability to play exactly what a song calls for. Then I realized it was all the same, and I started to mix them together. He was equally thoughtful in a subsequent phone interview, during which he paused at one point to gently admonish one of his children about the dangers of placing electrical objects in close proximity to water. The frosting has all the sugar in it! His joyous music exudes tremendous warmth and vibrancy that appeals equally to the ears and feet. A native of San Marino, Lindley was born March 21, 1944, and began winning awards as a teenager for his instrumental prowess. “It’s a matter of taking things away until you get it right, and also of building it up. On stage and off, he had a penchant for very loud shirts and colorful vintage shoes. David Lindley may not have been a household name for most music fans, but he most certainly was for his fellow musicians. Lindley stood out on guitar, violin, banjo, lap-pedal steel and such Middle Eastern instruments as the oud, bouzouki and saz. The group’s performances at the Rodeo in La Jolla during that same time period were so electrifying that I vividly recall them to this day.
David Lindley, whose talents on string instruments made him a sought-after collaborator for Jackson Browne, Dolly Parton, Bob Dylan and more, has died at 78 ...
“You don’t play a Chuck berry solo in the middle of ‘Song for Adam.’ A Chuck Berry solo is a great thing, but not that for that moment.” If the song was about a friend of Jackson’s who died, you play something appropriate for that,” Lindley told Rolling Stone in 2010. “David could play pretty much any instrument you put in front of him with incredible versatility and expression.” The man was a giant.” I was genuinely obsessed with his playing from the first time I heard it. No cause was given, but Lindley was reportedly suffering from a long-term illness.
David Lindley, a notable session musician known for his work and collaborations with numerous stars in the 1970s and '80s, died on March 3. He was 78.
In the early 1980s, Lindley put his session work on hold and formed the group El Rayo-X, which went on to release two albums. During the ’90s, Lindley collaborated on albums releases with avant-garde guitarist Henry Kaiser and Jordanian oud player Hani Naser. Later that decade, he appeared on Bob Dylan’s Under the Red Sky, Iggy Pop’s Brick by Brick and John Prine’s The Missing Years. During his time with Browne, Lindley also joined studio sessions with other notable artists during the mid-’70s, including Linda Ronstadt, Warren Zevon, Crosby & Nash, Rod Stewart and Ry Cooder. By his early twenties, Lindley had developed an interest in electric music and formed the psychedelic folk-rock band Kaleidoscope. He grew up surrounded by music and began playing banjo and fiddle as a child.
Musician David Lindley has died aged 78 after reportedly battling illness for several months.
The world has lost a brilliant musician.” “Bills are still pouring in and there will of course be final expenses. Article content
Multi-instrumentalist David Lindley has died. He was best known for working with artists like Jackson Browne and his recording of 'Mercury Blues.'
“You know, there was a time when I was playing 5-string banjo and I would sit in with different bands and play with my own band, and I was known as a 5-string banjo player. Lindley’s interest in the oud dated back to his late ’60s work with the band Kaleidoscope. “There are no frets, so you can play all these microtonal scales that you find in Persian Turkish and Middle Eastern music.” The lap steel was my way of singing— of playing a vocal.” He went out on a band tour with El Rayo X for a half-dozen shows in 2003, but otherwise in later years had mostly stuck with solo gigs, when it came to headlining. The economics of full-band tours were not working for him, but also, “It’s a lot easier going out by myself, and I also get more out of it because I get to play the stuff I’m into rather than recreating what I used to do.” Expressing a preference for acoustic concerts, he added, “A lot of the people in my audience can’t go to loud concerts anymore… And I started listening to singers, and that’s where the lap steel came in. A family member posted late last year that Lindley had been repeatedly hospitalized for kidney issues, pneumonia and influenza; a fundraiser that had been recently set up for Lindley and his family said his medical issues “seem to have begun with a terrible bout of Long Covid.” The man was a giant.” His attention turned back to the guitar. — playing literally in the closet. The musician had been known to have been ailing for some time.
The founder of the El Rayo-X band played with huge names including Bob Dylan, Graham Nash, Linda Rondstadt, Jackson Browne, Dolly Parton, Sir Rod Stewart, ...
David Lindley didn't just accompany L.A. rock legends — he shaped the sound of an era.
With hair that was super-long even by the standards of the day, he’d sit behind his array of fretted instruments and play — a mysterious and impish presence that offset the somberness of everything else happening on the stage. It looks really good.’ You have that picture in your head and you want to find out.” Lindley always wanted to make that discovery. He seemed to know when to step out just enough to enhance the core of a song. He was always in his room with his instruments. “I said, to Jackson, ‘You want to write some words to this and put in some sort of order so we can use this guitar thing?’ And he said, ‘That’d be great,’ so he put it together and it turned out really well. Lindley knew that as well: Listen to his fiddle work on Warren Zevon’s “Mama Couldn’t Be Persuaded,” Linda Ronstadt’s “Heart Like a Wheel” or the alternate version of Bruce Springsteen’s “Racing in the Street” (released much later, on The Promise) — his playing underscores the songs, but never overwhelms them. He could bring a jolt of raw electricity to a genre that could sometimes use it. That approach is especially felt on the records he made with Browne, in whose band he played for most of the Seventies. Even if you didn’t know who was doing the playing, you heard those records and wanted to know who it was — early examples of how Lindley could stand out in the world of studio musicians, who are often required to be as musically under the radar as possible, especially in the worlds of folk and troubadour rock. [David Lindley](https://www.rollingstone.com/t/david-lindley/), the dexterous and elfin multi-instrumentalist who [died yesterday at the age of 78](https://www.rollingstone.com/music/music-news/david-lindley-dead-obituary-1234690754/), could delight in sharing a few tales about his days on the road with Jackson Browne, James Taylor, and the other leading troubadours and songwriters he backed during the Seventies and Eighties. To some segment of the public, the California-raised Lindley first became best known for his tenure with the acid-folk psychedelists Kaleidoscope in the late Sixties. “The maids would knock on the door, real loud,” he said.
Renowned maxi-instrumentalist David Lindley passed away March 3, 2023 at the age of 78. Republished here is a profile and in-depth interview, ...
The louder you get, the more license you give people to talk louder and louder until it’s a big rave-up. But you’ll have to do this, this, and this, and you’ll have to dress like this, too.” And we said, “Get the hell out of here!” and sent the guy packing. You’ve got to send the money to the performers and writers. I was into classical guitar and flamenco music, and I wanted to be a classical guitar player. I knew a couple of Eastern scales that I used to play on the banjo, and it worked out real good for imitating the maqams [Turkish modes]. I owned a five-string banjo, and I used to play tar stuff on that. That’s eating the instrument, and that’s what I tend to do. She’d play solos and bounce stuff off of me, and it was great to play off of that. I’ll try a few different things and try to remember the licks that seem to be good. There was music in there all the time. The fiddle and accordion combination was really nice on a lot of things. They want the magic moment, and they want you to come up with it, pull it out of your ear, and that’s really hard to do on demand.