From The Wrath of Khan shout-outs to unseen moments in The Next Generation, to even the oldest Trek planet ever, the season premiere of Star TreK: Picard ...
This includes the name “Jonathan Frakes,” of course, whose name appears, appropriately next to the “Red Alert” graphic. The “Red Lady” turns out to be a statue of Captain Rachel Garrett. As Raffi frantically tries to figure out the meaning of “The Red Lady,” she calls up a screen of all upcoming holidays and events. The final moments of the episode reveal that Beverly Crusher has another son. - The Titan is a reference to Will Riker’s command of the ship of that name, first mentioned in Nemesis, and then seen in Lower Decks. Richard Daystrom (William Marshall) from the TOS episode “The Ultimate Computer.” In that episode, we learned that Daystrom designed most of the computers that Starfleet ships rely on. Though, his quip about “crashlanding,” probably is a direct reference to the Enterprise-D crashing on Veridian III in Generations. Star Trek: Picard begins with blue text on the screen with the words “In the 25th Century…” which directly parallels the opening of The Wrath of Khan, which began with the text “In the 23rd Century…” in the exact same font. - Before leaving spacedock, Seven mentions that the “metaphasic shield” is ready. Picard Season 3 takes place in roughly 2402 (in the 25th Century…) which means Starfleet is celebrating something that happened during the first year of the NX-01 Enteprirse, in either 2151 or 2152. Bones first introduced us all to Romulan Ale in The Wrath of Khan, proving that Enterprise doctors have great taste in space booze, in any generation. [Picard ](https://www.denofgeek.com/star-trek-picard/)season 3 might have more Trek Easter eggs than all the previous seasons of the various new Trek shows combined.
As Picard sets out to rescue an old flame, things get messy in the best of ways. A recap of “The Next Generation,” episode one of season three of “Star ...
Raffi finally does, but it’s too late: She bears witness to a terrorist attack on a Starfleet recruitment center, watching in horror as the building is destroyed and the remains drop on another part of a city. And that’s what they do as Captain Shaw watches angrily from the bridge of the Titan. They’ve located the ship; now, all Jean-Luc and Will have to do is get over there and rescue Beverly. The fact that she prefers Seven but Captain Shaw insists she use Annika is nauseating, to be sure, and makes clear that this isn’t going to be as easy as they’d hoped. They board Beverly’s ship and find the evidence of her firefight, along with the doctor herself in a stasis pod. Back on the Titan, Jean-Luc and Will are entirely out of options. After months of this kind of work, Raffi is feeling the effects, but her handler denies her request for a meeting and continues to push her to figure out what’s going on. It seems that after the events of Star Trek: Nemesis, Jean-Luc and Beverly did try to pursue a relationship, and it didn’t work out. He and Picard head to Will’s old ship, the Titan, to try and get close to the coded coordinates Bev sent in her message. But it indicates there’s something we have yet to learn about what’s behind Captain Shaw’s visceral dislike of the Borg. Jean-Luc’s Enterprise logs play over the music as we see plants, experiments, and even a case with Jack Crusher’s name on it. Aside from me, it’s for the people waiting for that “Avengers Assemble” moment when the entire Enterprise-D crew reunites on the bridge of a starship.
The "Star Trek: Picard" Season 3 premiere is here and offers a trip down memory lane for anyone wishing for another season of "The Next Generation."
Is this third and final season going to be this franchise's "The Rise of Skywalker?" The first six episodes were sent out to fans, followers, influencers and folk in the media and it was a very deliberate strategic act. Of course many of them will now have to wait six weeks for a new episode, but boy-oh-boy it got social media buzzing – and that was the idea. Every episode of every "Star Trek" show also currently streams exclusively on Paramount Plus in the U.S. The set and production design is stunningly gorgeous and the choice to use the opening credits as the closing credits was also nice. It's a little heavy on the clichés – which " [Star Trek: The Next Generation](https://www.space.com/best-star-trek-the-next-generation-episodes)" more than helped create – so, if you still find those enjoyable, sure, you'll enjoy this. [Enterprise](https://www.space.com/21000-star-trek-enterprise-starship-evolution/2.html) problem, in the same way "Star Wars" has a Skywalker problem? [The Motion Picture](https://www.space.com/star-trek-motion-picture-40th-anniversary-re-release.html)." Moreover, another example of masterful writing was adding the Kobayashi Maru simulator backstory to Kirk's character history after three seasons and " The season premiere is extraordinarily fast paced, so much so, that it feels like the first half of a movie, not the first part of a 10-episode season. [Jean-Luc Picard](https://www.space.com/greatest-picard-star-trek-tng-moments.html)'s attempts to grow old gracefully get utterly blown out of the water.
"Star Trek: Picard" Season 3 is bringing the "Next Generation" cast back together and showrunner Terry Matalas is well aware of the high expectations.
Season 3 also sees Jonathan Frakes return both in front of behind the camera. “Then the second season is Akiva Goldsman, digging deeper into what makes Captain Picard Captain Picard, and going back into his past trauma and telling this beautiful story with Q. While characters and story points carry over between the seasons, Matalas says they are “three very different stories from three different storytellers.”
The new season of “Picard” reunites the admiral with his old crewmates, something fans have been hoping for since the series began.
In the “Next Generation” episode “The Pegasus,” Picard defies an admiral who tries to (There is an explicit reference that Picard and Crusher actually were lovers, when Picard says that he made her a mixtape.) Another nice traditional “Trek” moment: [glamour shots of the exterior](https://www.youtube.com/watch?v=GMQTzYp756o). But Riker suggests to Picard that he is on the outs with his wife, Troi — another member of the old crew. (Picard gives the order to Seven to take out the ship. Shaw also isn’t on the bridge to greet visitors for what is apparently an inspection or giving orders when the ship leaves spacedock. [like Jake and Elroy](https://www.youtube.com/watch?v=TbF29c_FpV8). [critically reviled offerings](https://www.nytimes.com/2002/12/13/movies/film-review-still-conquering-with-makeup-and-optimism.html) of the “Star Trek” franchise, in part because it needlessly killed off the beloved Data. (Who says you can’t pick up new hobbies as you get older?) And she sends a message to her old captain and sort of crush, Jean-Luc, to say that she needs him — but she does so through his old comm badge using a secret code. The first two seasons of “Picard” have followed a similar trajectory. For some reason, Jean-Luc tells Laris, Beverly hasn’t spoken to members of the Enterprise crew for 20 years. It’s the 25th century (the onscreen text here is an homage to “Wrath of Khan”).
Star Trek: Picard Season 3 showrunner Terry Matalas on all those Easter Eggs, writing the Picard-Riker mission, and how Jonathan Frakes inspired him.
It's very fun to see, and such a smart story avenue to follow through for the rest of the season. I said, "You're an amazing actor, and I'm going to put you through the paces, but I really feel like it's going to be the anchor for a lot of it." To have her reporting to a captain who certainly had a lack of respect in some ways, but in other ways, you have to realize he handpicked her. We knew we wanted it to be a statue, a red statue outside of Starfleet recruiting in this specific district, in that system. There was a sense of, "Hey, they hadn't done this in a while,” and that Riker was longing to do this again, that he had missed this. And so that's where I edged the character a little bit more towards, towards a little bit more Patrick and Jonathan, and I think it shined through. And I said to him, I'm like, "I really want to do a lot of Riker next season." How did it arrive that that was going to be the track that really anchored the episode? He wants to look to the future. When we get to the Château, Picard is kind of going through spring cleaning, as they say, and looking at some of these objects that have importance to his history. Speaking of Easter eggs and the ephemera, and all of these tangible objects that people have touched, I really like those lived-in things. MATALAS: That was the idea.