Everything Everywhere All at Once

The 'Everything Everywhere All at Once' costars would be the first Asian winners in their individual SAG Award categories.

See our [latest prediction champs](https://www.goldderby.com/best-prediction-scores/awards/league-data/). The only SAG Award winner of Asian descent in either of the TV comedy categories is Tony Shalhoub (“Monk,” 2004-2005; “The Marvelous Mrs. The only primarily Asian cast that has won any SAG ensemble award is that of the Korean film “Parasite” in 2020. Three Asian men have previously contended for Best Film Supporting Actor, with Ken Watanabe (“The Last Samurai,” 2004) being the only one to originate from the continent (specifically Japan). Two of the category’s winners – Julie Christie (“Away from Her,” 2008) and Natalie Portman (“Black Swan,” 2011) – were born in Asia but are both of European descent. They and their cast mates also appear to be the ones to beat in this year’s ensemble race, while the film could also reasonably net dual supporting female bids for Stephanie Hsu (who is also of Chinese descent) and Jamie Lee Curtis.

One-time child acting star Ke Huy Quan thanks early mentor Spielberg in accepting supporting actor Golden Globe award for 'Everything.'

[Ke Huy Quan](https://www.usatoday.com/story/entertainment/movies/2022/04/08/everything-everywhere-all-at-once-multiverse-doctor-strange-spider-man/9509804002/) started the water works early at the [80th Golden Globe Awards](https://www.usatoday.com/story/entertainment/movies/2023/01/10/golden-globes-2023-live-updates/11004341002/) Tuesday, breaking down in tears while accepting his award for best supporting actor in the multi-nominated ["Everything Everywhere All At Once." "Honestly, for the last 30-something years we have tried to do a 'Goonies 2.' That was the movie that I thought I would need to make a career comeback," he said backstage. I just want to keep an open mind and to see what’s out there." "Moving forward, I really want to play all kinds of roles. "First of all, no I’m not Tom Cruise, I’m not Brad Pitt. Thank you so, so much for helping me find my answer."

The actor took home the award Tuesday for his portrayal of doting husband and laundromat owner Waymond Wang. Ke Huy Quan accepts an award onstage at the ...

He beat out Brendan Gleeson and Barry Keoghan, who were nominated separately for their roles in “The Banshees of Inisherin,” Brad Pitt for “Babylon” and Eddie Redmayne for “The Good Nurse.” The role is also significant for Quan personally, as it marks his return to acting after more than two decades working behind the camera. I started to wonder if that was it, if that was just luck.”

The beloved Malaysian performer just took home a Best Actress trophy at Tuesday night's ceremony.

In effect, on top of Yeoh showcasing her acting range in the film, she can also show off those martial arts skills of hers. It's the perfect part for Yeoh to showcase her acting range which has been arguably underrated over the years. It's safe to say that Tuesday's trophy won't be the only award Yeoh will get for her EEAAO performance during this awards season.

The Daniels' amazing sci-fi love story also won acting awards for stars Michelle Yeoh and Ke Huy Quan.

Both of which give the [multiverse, queer sci-fi love](https://gizmodo.com/on-being-trans-and-watching-everything-everywhere-all-a-1848714824) story solid momentum as its award season run turns the final lap and heads toward the big finish line, the Oscars. It was also nominated for, but unfortunately didn’t win, Best Director and Best Screenplay for the Daniels, Best Supporting Actress to Jamie Lee Curtis and, as we said, Best Picture. Tuesday night, the Hollywood Foreign Press Association gave two of its biggest awards to [io9's pick for the best film of the year](https://gizmodo.com/best-movies-2022-horror-sci-fi-fantasy-superhero-genre-1849935315), Everything Everywhere All at Once.

"Everything Everywhere All at Once" star Michelle Yeoh won her first Golden Globe on Tuesday.

I’m here ’cause I’m Black.” He continued, “I won’t say they were a racist organization, but they didn’t have a single Black member until George Floyd died, so do with that information what you will.” In taking home the musical or comedy acting prize, she beat out Lesley Manville for “Mrs. She continued, “When I first came to Hollywood, it was a dream come true… I came here and was told, ‘You’re a minority.'” And then — in a true Hollywood ending — came “Everything Everywhere All at Once,” a movie she calls “a gift.” I’m not letting go of this.”

Michelle Yeoh won the Golden Globe for best performance by an actress in a motion picture (musical or comedy) for her role in "Everything Everywhere All at ...

"I remember when I first came to Hollywood, it was a dream come true until I got here," she continued. Yeoh, a first-time Golden Globe nominee, beat out fellow nominees Lesley Manville ("Mrs. "Forty years, not letting go of this."

Domee Shi's “Turning Red” earned best animated film, David Siev's “Bad Axe” took Best Documentary; Dolly De Leon and Stephanie Hsu won for breakout performance.

The Gold List was created to accelerate much-needed change during the awards season by highlighting the year’s best Asian-led films across mainstream and grassroots campaigns.” “Since its inception just two years ago, 15 Gold List honorees have gone on to receive Academy Award wins or nominations,” says Jeremy Tran, Executive Director and COO of Gold House. “Joyland” rounded out the list with breakout independent film. Throughout this journey, I’ve had the opportunity to screen our film throughout all pockets of the country; and while the audiences have all been different, their reactions have surprisingly all been universally similar with overwhelming positive responses.” I, along with the rest of the ‘Everything Everywhere All At Once’ family, are so honored to be a part of this moment for our community, and can’t wait to see what happens next.” In a statement to Variety, Daniel Kwan, co-writer and co-director of the film, said, “It has been an incredible year for AAPI stories pushing the boundaries of expectations for what an Asian American story can be.