Taylor Swift

On Midnights song Labrinth, Taylor Swift discloses a shocking opinion: She really doesn't like elevators.

No word yet on whether this will affect [her approach to planes](https://www.vulture.com/2022/08/taylor-swift-private-jet-emissions-response.html). [Midnights](https://www.vulture.com/2022/10/taylor-swift-midnights-album-stream.html)), Taylor Swift discloses a number of intriguing takes: on “Karma,” she says that “karma” is like “a cat, purring on my lap”; on “Anti-Hero,” she says that she sometimes thinks “everybody is a sexy baby”; and, on the album’s tenth track, “Labyrinth,” Taylor slowly and softly tells us a story about falling in love by relating it to … Almost one minute in, she sings, “You know how scared I am of elevators / never trust it if it rises fast / it can’t last.” Taylor has been in an elevator at least twice prior to this song — once while dressed [as a “pegacorn” for Halloween](https://www.thecut.com/2014/10/taylor-swift-is-trick-or-treating-in-an-elevator.html) in 2014, and once [with Taylor Lautner in Valentine’s Day](https://www.youtube.com/watch?v=CRbVrY5DDqk) — so, either something changed or she was secretly hiding how much she disliked them. On TS10 (a.k.a. Breaking: Claustrophobia just fell to its knees.

The songs on Midnight don't immediately sink into you, asking first that you open yourself to the possibility of more.

The sombre and reflective You’re On Your Own, Kid is the pain of the lost connectivity to a lover who has pulled away, the kind of longing into your phone one falls into in the dead of night. But the album also relies on foreknowledge of the deep lore to solidify the narrative. Midnights is an album that is built on the intensity of world building, stories and the what-ifs leading up to it. With a sly smile and perfect poise, she says that she’s aware of her cryptic nature, the secretive manner in which she doles out information. So it is unsurprising that Midnights, Swift’s latest release, arrives on the heels of a cavalcade of If an artist commands a religious fervour in her fans, then it is also possible to approach the work as an agnostic.

Swifties and football, name a more iconic duo. Taylor Swift and the NFL have been intertwined in rumors in 2022. The pop artist was the center of attention ...

[During the "Thursday Night Football" matchup between the Cardinals and Saints](https://www.sportingnews.com/us/nfl/news/saints-cardinals-live-score-highlights-thursday-night-football/fnivi1lppek3uijor5bxvc22), a trailer for Swift's upcoming project, "Midnights," set to release, you guessed it, at midnight, aired in the third quarter. Taylor Swift and the NFL have been intertwined in rumors in 2022. [Why Taylor Swift revealed 'Midnights' trailer during 'TNF'](https://www.sportingnews.com/us/nfl/news/taylor-swift-midnights-teaser-trailer-thursday-night-football/ycvckob2l8bmcuafxooyeydb)

Taylor Swift “Midnights,” (Republic Records) “All of me changed like midnight,” Taylor Swift confesses halfway through her latest album, the aptly named and ...

But Swift presents “Midnights” as something different: a collection of songs that don’t necessarily have to go together, but fit together because she has declared them products of late night inspiration. Track one, “Lavender Haze,” pairs a muffled club beat and high-pitched backing vocals from Antonoff with stand-out, beckoning melody from Swift. “Midnight Rain” could be a thesis statement for the project she’s described as “songs written during 13 sleepless nights,” an appropriate approach to the concept album for someone who has long had a lyrical appreciation for late nights (think “Style”: “midnight, you come and pick me up, no headlights…”). On the 13 tracks of “Midnights,” a self-aware Swift shows off her ability to evolve again. It’s among the album’s most sonically interesting, an indie-pop beat that feels reminiscent of her producer Jack Antonoff’s work on Lorde’s “Melodrama,” but also fresh and captivating. The song’s chorus begins: “He was sunshine, I was midnight rain.” And continues: “He wanted it comfortable, I wanted that pain.

Taylor Swift's tenth studio album, Midnights, drops Friday, October 21 but Toronto audiophiles won't be able to get their hands on an LP just yet. ...

[Dead Dog Records](https://www.blogto.com/services/dead-dog-records-toronto/), located in Bloordale Village, says certain album releases including Taylor Swift's have officially been delayed for Canada. None of the LPs they ordered have arrived in time, and they don't know when to expect shipment. [Sonic Boom](https://www.blogto.com/services/sonic-boom-spadina-toronto/) on Spadina Avenue also confirms the store won't have any copies of Midnights to sell on Friday.

Coup de théâtre dans l'industrie de la musique, alors que Taylor Swift promet une grande annonce en lien avec son album, Midnights, ce soir (20 octobre).

[](https://hollywoodpq.com/mi-temps-du-super-bowl-rihanna-aura-de-tres-grosses-chaussures-a-remplir/) [ mi-temps du Superbowl](https://hollywoodpq.com/taylor-swift-aurait-refuse-la-mi-temps-du-super-bowl/) en 2023 et que nul autre que [Rihanna](https://hollywoodpq.com/mi-temps-du-super-bowl-rihanna-aura-de-tres-grosses-chaussures-a-remplir/) a finalement pris sa place? [@primevideo](https://www.instagram.com/primevideo/) donc…

Some students at St. Thomas University will be lacking blank spaces in a class dedicated to studying Taylor Swift's marketing skills.

Victoria was ranked the seventh rattiest city in the country, and the fourth rattiest city in B.C. Court documents show Christopher Cathcart, born in 1986, who is also known as Christian Bird, has been charged with one count of second-degree murder in the death of Stephanie Elk. NDP leadership race came down to a few dozen party executives, whose names – for the most part – are not publicly available. [Saskatoon](https://saskatoon.ctvnews.ca/) [Ditch the decorative contact lenses for Halloween, Sask. London’s top cop says he’s satisfied two sexual assault investigations involving hockey players were conducted appropriately. Hockey referees ages 18 and younger across the north are wearing a green armband over their uniforms. Premier Francois Legault has named Éric Girard Minister Responsible for Relations with English-Speaking Quebecers, a move hailed by advocates as “a major first step” to repairing divisions in a post-Bill 96 province. Here's what you can do about it](https://montreal.ctvnews.ca/montreal-property-valuations-are-rising-here-s-what-you-can-do-about-it-1.6118782) shortly after 7 p.m. So why is it sometimes found in dry shampoos and personal care products, and what are the risks to consumers' health? 5 hr ago "You can't teach this in some respects, said Gillies.

Midnights comprend 13 nouvelles chansons « inspirées des histoires de 13 nuits blanches éparpillées dans la vie de Taylor Swift », dont un duo avec Lana Del ...

Vous pouvez aussi ajouter les chansons de Taylor Swift à vos listes de lecture personnelles en cliquant [Voir plus d'artistes](https://www.iheart.com/artist/) Fans de Taylor Swift? Les étages que nous arpentons et les démons auxquels nous sommes confrontés. Nous regardons les murs et buvons jusqu'à ce qu'ils répondent. Taylor Swift a lancé vendredi Midnights, son 10e album de chansons originales!

On Swift's 10th and most challenging album, she and producer Jack Antonoff push her voice in new directions, rethinking the sonic rhetoric of first-person ...

She's still working to slacken the hold of the Old Taylor — of the many Old Taylors she's constructed through her music and celebrity. This is the kind of truth-telling that's earned Swift the devotion of her fans. For all of her kindness in the world and empathy and dedication to openness as a songwriter, Taylor Swift is, in her essence, sharp. "Labyrinth" — as good as any song inspired by one of her favorite subjects, the experience of still hanging on when you have to let go — melts her voice into myriad light streams, some as twisted as in a On "Midnight Rain" it's auto-tuned to vacillate between birdlike high notes and an almost masculine lower register, punctuating the story the verses tell of a young woman outgrowing a relationship with a sound that evokes that process of unfolding into a new self. is the kind of story song only Swift can write, dipping into gel-pen poetry to cultivate a swoony mood, then focusing on a scene of romantic persuasion and betrayal drawn so acutely that it stings. Usually she's explaining every move she makes, but here the music pulls her into the eternal now of her emotions, working against her persistent impulse to make sense of them. Sharpness is also key to Swift's perspective, surfacing in her love of the telling detail, of the rejoinder that cuts through whatever bulls*** the object of her love/hate has burdened her with. In the evening, with her lover nearby, does she vape a little Lavender Haze CBD Rosin and focus on the quietude creeping into her body beneath the relentless chatter of her thoughts? On Midnights she worked exclusively with her soulmate producer Jack Antonoff, bringing in only a handful of collaborators (the most notable is [Lana Del Rey](https://www.npr.org/artists/145913023/lana-del-rey), who gives great femme energy on "Snow On The Beach"), burrowing into a sound that might be called ahistorical chillout music. And then, in the studio, can she bring a lyric built on questions, turn to her trusted collaborator and say, "I don't care if this song is a hit, I want it to be weird"?

The album treads aggressively familiar territory—but with new wisdom and confidence. By Spencer Kornhaber. A portrait of Taylor Swift. Beth Garrabrant.

On the delightfully trollish “Anti-Hero”—“Sometimes I feel like everybody is a sexy baby, and I’m a monster on the hill”—she makes the highly specific insecurities of a celebrity land as a (The lovely “Snow on the Beach,” for example, is almost ruined by a pointless Janet Jackson reference.) But the concision of Swift’s songcraft and the nuances of her phrasing should keep the listener tuned in. (Please diagram this double negative: “Karma’s a relaxing thought / aren’t you envious that for you it’s not?”) For the opener, “Lavender Haze,” the cartoon-villain smolder of her voice has human creaks and squeaks. “Maroon” and “Question…?,” two songs about hot memories, churn with a near-tragic blend of energy and frustration. That knack for relatability is her superpower—one so potent that it almost makes Midnights’ insularity seem noble. [Reputation](https://www.theatlantic.com/entertainment/archive/2017/11/reputation-taylor-swift-first-review/545561/) in 2017 and [Lover](https://www.theatlantic.com/entertainment/archive/2019/08/taylor-swift-lover-review-faith-religion/596725/) in 2019—tinged with extremity and experimentation, brilliance and [cringe](https://www.theatlantic.com/entertainment/archive/2019/04/taylor-swift-me-song-review/588118/). The concept behind the album title—Swift documenting “13 sleepless nights” over her lifetime—is an excuse to tour through old obsessions: exes, haters, feuds, her beau’s talent for distracting her from all of the above. Yet compositionally, Midnights is sleek and sturdy in a way that no previous album of hers is. Last year, she expanded an old ballad, “All Too Well,” [into a 10-minute saga](https://www.theatlantic.com/culture/archive/2021/11/snl-taylor-swift-all-too-well-red/620706/) that flickered with controlled fury. What’s distinct about her return to synth pop is just the flavors she stirs in: oozing bass, surmountable melancholia, and the same type of confession and awkwardness that appears 45 minutes into an office happy hour. The choice of moodily distorted vocals feels especially dated; putting humanoid whale moans in an album’s first moments, as Swift and Antonoff have done, is like opening an IPAs-and-bacon bar in 2022. Transcending expectations is its own expectation, and Midnights makes clear, with modest poignance, that Swift has burned out on her own hype.

Taylor Swift revealed very little about her 10th studio album, “Midnights,” before it was released on Friday – she didn't sit for any interviews and just ...

In “Anti-Hero,” that honor went to the line, “Sometimes I feel like everybody is a sexy baby / And I’m a monster on the hill.” This was a new level of candor from an album that, as [multiple critics](https://www.independent.co.uk/arts-entertainment/music/reviews/taylor-swift-review-midnights-lyrics-b2207166.html) agreed in [early reviews](https://www.rollingstone.com/music/music-album-reviews/taylor-swift-midnights-1234611211/), was pretty dark music for Swift. “I’ll stare directly at the sun, but never in the mirror. “Not to sound too dark, but, like, I just struggle with the idea of not feeling like a person.” But you know, this song really is a real guided tour throughout all the things I tend to hate about myself. [usual cryptic hints](https://www.washingtonpost.com/arts-entertainment/2022/10/20/taylor-swift-midnights-easter-eggs/?itid=lk_inline_manual_2) about what fans could expect.

We all know the songs about Kimye and Jake Gyllenhaal, but piecing together details from Taylor's entire body of work actually gives us a much deeper ...

In “ [The Archer](https://www.youtube.com/watch?v=8KpKc3C9V3w),” she expresses her fear of deliberately sabotaging the relationship. [This Is Why We Can’t Have Nice Things](https://www.youtube.com/watch?v=6Z3QJ4L1Bg0),” Taylor points out that “friends don’t try to trick you” and accuses Kanye of getting her on the phone to “mind-twist” her. To go from feeling like you’re being looked at as a daughter to this grotesque feeling of ‘Oh, I was actually his prized calf that he was fattening up to sell to the slaughterhouse that would pay the most.’” According to her songs, about one month after Taylor and Joe officially started dating, they escaped to a cabin together so she could process the Kimye drama. She was also convinced that Kanye deliberately recorded their conversation intending to set her up — something she referenced in the album's title track, “ If this is the case, then it appears that Karlie wrote Taylor a letter to apologize while the singer was spending time in London with boyfriend Joe Alwyn. [RadarOnline](https://radaronline.com/exclusives/2014/02/taylor-swift-virginity-jake-gyllenhaal-jilted-lover/): “The day before — all was set — he was coming, no issues. The upbeat pop song follows “All Too Well” on the Red tracklist, and for years, fans had been confused by the emotional whiplash of that sequence. Many believed that the scarf was actually a metaphor for her virginity, and in September, Taylor became visibly flustered when she was asked about its meaning at the Toronto International Film Festival. [interview](https://www.glamourmagazine.co.uk/article/anne-hathaway-glamour-october-2015-cover-star): “She just seems to be following her heart. This also appeared in the All Too Well short film, where the woman protagonist tries and ultimately fails to fit in with her partner’s friends at a dinner party. Speaking on The Ellen DeGeneres Show in 2008, Taylor said of their failed relationship: “When I find that person that is right for me, he’ll be wonderful.

Critics praise the "fantastic songs" on Midnights, but some add there is "not a smash hit in sight".

On the twinkly Bejeweled she announces that she's "going out tonight", but the beats remain sleepy and sluggish. Swift's always as elusive as she is allusive." Swift is currently gearing up for a busy few months. Otherwise Midnights sounds ready for bed." All the while she keeps things just cryptic enough to keep the tension crackling and the speculation buzzing. But it also sees her re-engage her pop sensibilities, with lyrics that explore more personal subject matters. "As Swift has returned to her archive for to undertake the project of re-recording her previous albums, it's clear slipping back into her past self has unlocked something brilliant and fresh in her songwriting," she wrote. "The subtle melodies of Midnights take time to sink their claws in," she added. "But Swift's feline vocal stealth and assured lyrical control ensure she keeps your attention. [the Guardian's Alexis Petridis said](https://www.theguardian.com/music/2022/oct/21/taylor-swift-midnights-review-small-hours-pop-rich-with-self-loathing-and-stereotype-smashing) Midnights "delivers her firmly from what she called the 'folklorian woods' of her last two albums back to electronic pop". Midnights is the 32-year-old's first original album in two years and sees her return to a more mainstream sound than the more muted, acoustic tone of her previous two albums. The Guardian said Midnights is a "cool, collected and mature" record which is "packed with fantastic songs".

In "Midnights" Taylor Swift Is Seemingly Out For Revenge Against The Celebs Involved In Some Of Her Most Famous Feuds · Happy Midnights day to one and all! · In ...

This wouldn't be the first time Taylor has seemingly referenced Scooter and Yael in her work. This is something she also reflected on in an interview after the deal with Scooter was made public, where she described feeling like a "prized calf that he was fattening up to sell to the slaughterhouse that would pay the most." While some interpret this as relating to an affair, others think it could be a metaphor for Kim needing "proof" in order to destroy Taylor's reputation. This not only appears to once again acknowledge the betrayal Taylor felt at the hands of someone she trusted, but could also be considered an acknowledgement of the way Karlie was accused of using her friendship with Taylor for relevancy — both at the time, and long after it was over. Taylor knew that Scott would sell the label once she signed a new contract, and so decided to walk away. And this song may be another example of that, with Taylor exploring relationship dynamics that she's not a part of. I'm sure you're well versed in the details of this feud, but the abridged version goes something like this: Back in 2016, Kanye West released his song, "Famous," which included the lyric: "I feel like me and Taylor might still have sex / Why? And the feud appears to come up again in "Karma." Instead, he gave her the option to sign a new contract, and essentially "earn" the rights to one old album for every new one she released. And this was seemingly corroborated on Taylor's 2020 track, "It's Time To Go." However, two years later reports emerged suggesting that Karlie had leaked private information about Taylor to her manager, Scooter Braun, who Taylor has since described as her nemesis. As ever though, it needs to be pointed out that lyrical interpretation is subjective, and therefore we can't be 100% certain of who any of the songs are about.

Taylor Swift “Midnights,” (Republic Records) “All of me changed like midnight,” Taylor Swift confesses halfway through her latest album, the aptly named and ...

But Swift presents “Midnights” as something different: a collection of songs that don’t necessarily have to go together, but fit together because she has declared them products of late night inspiration. Track one, “Lavender Haze,” pairs a muffled club beat and high-pitched backing vocals from Antonoff with stand-out, beckoning melody from Swift. “Midnight Rain” could be a thesis statement for the project she’s described as songs written during "13 sleepless nights,” an appropriate approach to the concept album for someone who has long had a lyrical appreciation for late nights (think “Style”: “midnight, you come and pick me up, no headlights…”). For her 10th original album, the 32-year-old pop star approaches the themes she’s grown up writing about — love, loss, childhood, fame — with a maturity that comes through in sharpened vocals and lyrics focused more on her inner-life than external persona. It’s among the album’s most sonically interesting, an indie-pop beat that feels reminiscent of her producer Jack Antonoff’s work on Lorde’s “Melodrama,” but also fresh and captivating. The song’s chorus begins: “He was sunshine, I was midnight rain.” And continues: “He wanted it comfortable, I wanted that pain.

Taylor Swift has finally released the music video for her new single, “Anti-Hero.” Check out the must-see visuals from the third track on her new album, ...

[show dates](https://www.eonline.com/news/1350867/taylor-swift-just-made-swifties-wildest-dreams-come-true-with-u-k-shows-announcement)." We all hate things about ourselves, and it's all of those aspects of the things we dislike and like about ourselves that we have to come to terms with if we're going to be this person. [really honest](https://www.eonline.com/news/1350726/taylor-swift-reveals-first-midnights-lyric-days-before-album-release)." Not to sound too dark, but I struggle with the idea of not feeling like a person. I struggle a lot with the idea that my life has become unmanageably sized. In the five-minute clip, Taylor is seen facing, partying with, but also trying to escape the anti-hero version of herself.