Goodnight Mommy

2022 - 9 - 16

Post cover — Image courtesy of "Roger Ebert"

Goodnight Mommy movie review & film summary (2022) | Roger Ebert (Roger Ebert)

A staggeringly pointless endeavor that replicates the basic story beats of the original but leaves out all of the tension, ambiguity and nasty invention ...

At least both groups will be able to come together in the shared realization that this “Goodnight Mommy” is one of the most patently unnecessary films of the year. (That said, between this and her appearance in the remake of the equally nasty “ One could argue, I suppose, that as someone who saw and greatly admired the original film, my perspective on the film will inevitably be different from that of someone who never saw the previous version and who is coming into this one with fresh eyes. As I said, this version conforms to the basic parameters of the original film but mucks about the details in ways that prove to be disastrous. This version plods along before arriving at the startling twist that now proves to be anything but in their hands. Although Lucas remains firmly convinced that she is not who she is, Elias finds himself torn between his doubts over her identity and the lengths that he is willing to go to in order to prove it.

In Goodnight Mommy, even Naomi Watts can't make this parental ... (The A.V. Club)

Director Matt Sobel remakes the 2014 Austrian psychological thriller, eliminating all of the thrills in the process.

Another horror film about a woman in peril set mostly in one location after The Wolf Hour (2019)? The audience’s allegiance is supposed to see-saw between the two sides, but in this version, neither side goes to the extreme and the result is a lack of audience investment. Another thriller where she plays a mother after The Desperate Hour (2021)? From Diabolique and Vanilla Sky in the 1990s to the recent Downhill (2020), a remake of the Swedish satire Force Majeure (2014), the list goes on. Another remake of a European art film after Funny Games (2007)? She spends half the film hidden behind a mask relying on her voice and physicality to convey what this woman is feeling. She’s stranded and adrift, a good performance undercut by a less-than-worthy film. The original Austrian film had shock value and genuine, gruesome horror. The film never comes alive. At first, the audience watches her from the boys’ point of view, suspecting every little gesture. Later this year, Tom Hanks takes on the lead role in A Man Called Otto, a remake of another Swedish film, A Man Called Ove (2015). In whatever little time she spends with them, she’s belligerent, yells at them to behave, and, most egregiously, refuses to sing them a bedtime lullaby.

'Goodnight Mommy' Ending, Explained: What Had Happened At The ... (Digital Mafia Talkies)

The Amazon Prime Video film, "Goodnight Mommy," directed by Matt Sobel, is a remake of the 2014 Austrian film of the same name. Starring Naomi Watts, the.

In the meantime, his mother asked him to accompany her to the barn. Even though he cried for help, in the end, he could not accept the truth and pushed his mother away. He knew that by confronting the truth he would lose the comfort of imagination, and he did not wish for that to happen. Lukas stood behind him, asking him to trust him and not to believe what the mother said. She wanted to be a loving mother, but at the same time, she wanted to be in control. He lied to them about his mother, stating that she was not at home. She was not the mother he knew. Lukas and Elias left their home with their mother tied to the bed and her mouth sealed with tape. She discussed with the police the issues she had with her son, but we do not get to hear that conversation. She was not even human; she was a supernatural being who wanted to consume him. The belief that the woman they were living with was not their mother grew stronger as days passed. From the onset, Elias felt that their mother was behaving differently.

Goodnight Mommy review: The decade's best horror film gets the ... (Polygon)

Amazon Video's reboot of the Austrian shocker Goodnight Mommy ignores or reverses everything that made the original one of the all-time best horror movies.

Not even to mention the nearly bloodless ending, which is both poorly filmed and takes as a given that the For fans of the original, the loss of everything that made the original version frightening is devastating. Not only does the remake lack the gumption to even approach the original film in terms of terror and on-screen pain, it doesn’t really work as a film in its own right. The original version of these twins kept cockroaches as pets, made strange masks, and tingled viewers’ spines by communicating wordlessly. The remake’s shortcomings aren’t due to her lack of craft or effort — the issues lie solely in the writing and directing. Twins are a major horror trope, capable of igniting the uncanny and bringing about uneasy feelings in film without too much explanation. Though the film (like the remake) is easily spoiled, it’s sufficient to say that its kids are creepy enough and the ending dark enough to shake even jaded horror aficionados. The boys are both alarmed at first, but they loosen up a little as they can see she’s making an effort to win them over, and they settle into their new family structure. It maintains the original’s mood and tension, but [The Batman](https://www.polygon.com/reviews/22951429/the-batman-movie-review-2022) and [Cloverfield](https://www.polygon.com/2018/2/8/16991384/cloverfield-paradox-explained-series-10-lane-j-j-abrams) director Matt Reeves also didn’t set out to pay homage to Let the Right One In. Though his film isn’t as unwaveringly brilliant as the imported version of the story, Let Me In is a worthy horror film unto itself. The Austrian cinematic landscape isn’t completely free from the dark side of film, but it’s more firmly known for comedy and historic dramas. The debut narrative feature from writer-directors Severin Fiala and Veronika Franz is a brazen, unflinching horror film coming from a country not known for its horror industry.

'Goodnight Mommy': What's the difference between remake and ... (Mashable)

Written and directed by Veronika Franz and Severin Fiala, the original film is a triumph of understated slow burn terror, then unnerving body horror that ...

Reviews: Naomi Watts and Jon Hamm star in movies to watch at home (Los Angeles Times)

Plus, a Neil LaBute vampire movie, 'House of Darkness,' Camila Mendes and Maya Hawke 'Do Revenge' on Netflix, and Jon Hamm is the new 'Fletch.'