Wolfgang Petersen

2022 - 8 - 17

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Image courtesy of "CNN"

Wolfgang Petersen, director of 'Das Boot' and 'Air Force One,' dead ... (CNN)

Wolfgang Petersen, the Oscar-nominated director of films like "Das Boot" and "Air Force One," died on August 12, his spokesperson, Michelle Bega from Rogers ...

He would point to us in turn and say, 'Acting...acting...NO acting...NO acting...ACTING... aaaacting!'" she recalled. "Being directed by Wolfgang on 'Air Force One' remains a special memory," actress Glenn Close said in a statement provided to CNN. Petersen, she said, would set up a remote-controlled camera that could rotate in place, enabling him to film all the actors and Petersen wiould provide them cues when they were being filmed. After writing and directing 1984's children's fantasy film "The NeverEnding Story," he went on to make a string of action films with some of the biggest stars of their eras, like "In the Line of Fire" (starring Clint Eastwood and Rene Russo), "Outbreak" (with Dustin Hoffman, Morgan Freeman and Russo) and "Air Force One" (with Harrison Ford and Glenn Close). In the aughts, he continued the trend, helming "The Perfect Storm" with George Clooney and "Troy" with Brad Pitt and "Poseidon."

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Image courtesy of "The New York Times"

Wolfgang Petersen, Director of 'Das Boot,' Is Dead at 81 (The New York Times)

He made it big in Hollywood with box-office hits, but he's best remembered for a harrowing, Oscar-nominated German film set inside a U-boat in World War II.

There were also the disaster films “Outbreak” (1995), about a deadly virus, “The Perfect Storm” (2000), about commercial New England fishermen caught in a terrifying tempest, and “Poseidon” (2006), a remake of “The Poseidon Adventure,” the 1972 blockbuster about a capsized luxury liner. Discussing the “Iliad”-inspired “Troy” (2004), Mr. His film career seemed to come full circle in 2016 with “Vier gegen die Bank,” a remake of his 1976 comedy-heist film based on an American novel, “The Nixon Recession Caper,” by Ralph Maloney. Petersen moved to Los Angeles, where he would remain for two decades, working with big stars in a string of mainstream successes that included the political dramas “In the Line of Fire” (1993), about a Secret Service agent’s efforts to prevent a presidential assassination, and “Air Force One” (1997), about the hijacking of the presidential jetliner. “I got to know the medium of film when I was 8 years old, and I was immediately enthusiastic about it,” he told the journalist André Müller in a 1985 interview for German Playboy. Maslin called it “a costly, awful-looking science-fiction epic with one of the weirdest story lines ever to hit the screen.” “The Consequence” (1977) was controversial for its frank depiction of homosexuality, a taboo topic at the time. He later married Maria-Antoinette Borgel, whom he had met on the set of “Smog,” where she worked as a script supervisor. “Smog” (1972) dealt with the effects of pollution in the Ruhr, the industrial region in Northwest Germany. In the English-speaking world, that frequently mispronounced title alone (“Boot” is spoken exactly like the English “boat”) has attained a kind of pop-cultural status, thanks to references on “The Simpsons” and other TV shows. Petersen prepared various versions of “Das Boot” over the next decade and a half. For all his success in Hollywood, however, “Das Boot,” a tense drama about sailors on a German U-boat during World War II, is the work for which Mr.

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Image courtesy of "Alberta Prime Times"

Wolfgang Petersen, blockbuster filmmaker of 'Das Boot,' dies (Alberta Prime Times)

NEW YORK (AP) — Wolfgang Petersen, the German filmmaker whose World War II submarine epic “Das Boot” propelled him into a blockbuster Hollywood career that ...

“The power of water is unbelievable,” Petersen said in a 2009 interview. With a budget of $120 million, “The Perfect Storm” made $328.7 million. “Air Force One,” with $315 million in global box office, was a hit, too, but Petersen went for something even bigger in 2000's “The Perfect Storm,” the true-life tale of a Massachusetts fishing boat lost at sea. The big-budget “Poseidon," a high-priced flop for Warner Bros., was Petersen's last Hollywood film. After “Outbreak,” with Dustin Hoffman, Rene Russo and Morgan Freeman, Petersen returned to the presidency in 1997's “Air Force One." “The film is rooted in a profound pessimism about what’s unfortunately happened to this country in the last 30 years. Arguably Petersen’s finest Hollywood film came almost a decade later in 1993’s “In the Line of Fire,” starring Clint Eastwood as a Secret Service agent protecting the president of the United States from John Malkovich’s assassin. "When John’s character says, ‘Nothing they told me was true and there’s nothing left worth fighting for,’ I think his words will resonate for many people,” Petersen told The Los Angeles Times. Petersen, born in the north German port city of Emden, made two features before his 1982 breakthrough, “Das Boot," then the most expensive movie in German film history. Eastwood met with Petersen, checked out his work and gave him the job. Seeking a director for the film, Eastwood thought of Petersen, with whom he had chatted a few years earlier at a dinner party given by Arnold Schwarzenegger. In it, Petersen marshalled his substantial skill in building suspense for a more open-air but just as taut thriller that careened across rooftops and past Washington D.C.

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Image courtesy of "CBC.ca"

Wolfgang Petersen, filmmaker behind Das Boot, The NeverEnding ... (CBC.ca)

Wolfgang Petersen, who rode his acclaimed German-language film Das Boot into a career directing Hollywood blockbusters such as In the Line of Fire, ...

While working on the popular German TV series Tatort (Crime Scene), he first met and worked with actor Jurgen Prochnow — who would appear in several of his films, including as the U-boat captain in Das Boot. The film was considered so radical at the time that when it first aired on German television, the Bavarian network refused to broadcast it. (Adjusted for inflation, Air Force One was the director's most successful film.) "It's my greatest experience after Das Boot," Petersen told Variety ahead of the movie's release. Petersen was perhaps best known for 1981's Das Boot, the harrowing story of life aboard a German U-boat during the Second World War. However successful Petersen was in appealing to children, he quickly graduated to films geared toward adults.

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Image courtesy of "The Washington Post"

Wolfgang Petersen, Oscar-nominated director of 'Das Boot,' dies at 81 (The Washington Post)

The German-born filmmaker was also known for making big-budget blockbusters including "Air Force One" and "The Perfect Storm."

Petersen directed “Poseidon” (2006), a big-budget remake of the 1972 disaster film “The Poseidon Adventure,” which was savaged by critics. Petersen insisted on unswerving accuracy to re-create the look and feel of a submarine, evoking what he described as “the smell of reality, the blood, the sweat and the tears, the claustrophobia.” His later work included “The Consequence” (1977), a melodrama about the sexual relationship between an incarcerated young man and the prison warden’s teenage son, which generated controversy in Germany for its sensitive, forthright depiction of gay love. Wolfgang Petersen was born in Emden, Germany, a port city near the North Sea, on March 14, 1941, and grew up in an era of postwar deprivation. He later directed Clooney and Mark Wahlberg in “The Perfect Storm” (2000), based on Sebastian Junger’s nonfiction account of a Massachusetts fishing vessel lost at sea. Petersen a chance to return to a maritime setting without having to reenter the narrow tube of a submarine. He seemed especially comfortable working from historical material and journalistic research, adapting Richard Preston’s nonfiction book “The Hot Zone” into “Outbreak” (1995), a medical thriller about the spread of an Ebola-like virus. Petersen later transported viewers to the world of Homer’s “Iliad,” directing the big-budget war film “Troy” (2004) with Pitt. All 200 people on the stage had a wonderful time watching it, with the exception of the six actors on the boat.” Petersen was vaulted to international prominence by “Das Boot,” or “The Boat” (1981), a harrowing antiwar film that brought audiences inside a cramped, sweaty German submarine during World War II. By the time the film ended 2½ hours later, he told the New Jersey Record, “the audience was in tears, in shock, and totally turned around by the message: ‘OK, I know these guys were the other side, but if you cut through to the bottom, what war is all about, is kids on all sides getting killed.’ ” Wolfgang Petersen, a German filmmaker whose 1981 drama “Das Boot” earned global acclaim for its humane depiction of U-boat sailors during World War II, and who later had a long Hollywood career directing action-driven blockbusters including “Air Force One,” “The Perfect Storm” and “Troy,” died Aug.

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Image courtesy of "NBC News"

Wolfgang Petersen, director of 'Air Force One' and 'Das Boot,' dies at ... (NBC News)

Wolfgang Petersen rode his acclaimed German-language film “Das Boot” into a career directing blockbusters such as “In the Line of Fire” and “Air Force One."

While working on the popular German TV series “Tatort” (Crime Scene), he first met and worked with actor Jurgen Prochnow — who would appear in several of his films, including as the U-boat captain in “Das Boot.” The original told the story of “four members of an exclusive country club who decide to rob a bank to solve their money problems.” The new film starred Til Schweiger. In “Air Force One” (1997), it was not the Secret Service agents protecting the president who kicked ass but the president himself. Adjusted for inflation, “Air Force One” was the director’s most successful film. Petersen made an extraordinary creative leap with the critically acclaimed Clint Eastwood film “In the Line of Fire” (1993). His next effort was “Enemy Mine,” about an astronaut (Dennis Quaid) who crash-lands on an alien planet and teams with a lizard-like alien (Louis Gossett Jr.) from the species he was battling in order to survive the harsh environment. With both critical acclaim — the film sports a 95% fresh rating on Rotten Tomatoes — and impressive B.O., Petersen had finally arrived in Hollywood. Petersen’s first film in Hollywood was the 1984 fantasy adventure “The NeverEnding Story,” which he directed and co-scripted. Variety said: “Director Wolfgang Petersen sends the story efficiently down its straight and narrow track, deftly engineering the battle of wills between two desperately committed men.” He returned in 1991 with the mystery thriller “Shattered,” starring Tom Berenger, Bob Hoskins and Greta Scacchi. He discovers the kingdom in a magical bookstore, and as he begins to read the adventure between the covers, it becomes so real that the people in the story know about Bastian. Offering suspense and tragedy, “Das Boot” was nominated for six Oscars — an enormous number for a foreign film — including two for Petersen, for director and adapted screenplay.

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Image courtesy of "Le Figaro"

Wolfgang Petersen, réalisateur de Troie et L'Histoire sans fin, est ... (Le Figaro)

Il avait notamment connu le succès en 1983 grâce à son film Das Boot qui avait été nommé à deux reprises aux Oscars.

En 1985, sort Enemy (Enemy Mine), un film de science-fiction avec Dennis Quaid sur le même modèle scénaristique que Duel dans le Pacifique de John Boorman. Entre-temps, il s'essaie au péplum avec Troie (2004), mettant en vedette le jeune Brad Pitt. Suivront En pleine tempête (2000), avec George Clooney et Mark Wahlberg, où le cinéaste allemand renoue avec sa passion pour l'océan en furie. Et Poseidon (2006), remake de facture classique de L'Aventure du Poséidon, de Ronald Neame. Alors considéré comme le « film plus cher de l'histoire du cinéma allemand », Das Boot raconte les pérégrinations d'un sous-marin allemand et de son équipage pendant la Seconde Guerre mondiale. À présent, je vis à Brentwood, près de Santa Monica, et j'admire le Pacifique de ma fenêtre.

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Image courtesy of "Le Monde"

Mort de Wolfgang Petersen, réalisateur de « L'Histoire sans fin » et ... (Le Monde)

Après avoir percé à Hollywood grâce à son film « Le Bateau » au début des années 1980, le réalisateur allemand a dirigé des stars mondiales telles que Clint ...

« Même si le scénario était palpitant et incroyablement intense, je me souviens de beaucoup de rires, surtout lors des scènes autour de l’immense table dans la “War Room” », a-t-elle déclaré. La mer a longtemps exercé une forte fascination sur le réalisateur, qui a grandi sur la côte nord de l’Allemagne. Wolfgang Petersen, né en 1941 dans la ville portuaire d’Emden, au nord de l’Allemagne, a réalisé deux longs-métrages avant sa percée en 1982 avec Le Bateau (Das Boot), alors le plus cher de l’histoire du cinéma allemand.

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Image courtesy of "PEOPLE.com"

Wolfgang Petersen, Director of 'The Perfect Storm,' 'Outbreak' and ... (PEOPLE.com)

Oscar nominee Wolfgang Petersen directed 1984's 'The NeverEnding Story,' plus action films like 'Das Boot' and 'In the Line of Fire'

ACTING... NO acting... acting... "That was a concept that was very difficult to get through the studio system because it was very expensive. And the story— I mean six guys on the Andrea Gail boat, who, at the end, as we all know, die," he said. Can you at least have one, like Mark Wahlberg, survive at the end?' But we did it." And they all die at the end? "I was on a roll at that time. Five in a row," he said at the time. It was the biggest storm ever shown. ... I haven't told anybody that before." In the Line of Fire, Outbreak, Air Force One, Perfect Storm, Troy — I did all these films in a row, and each one was more successful than the one before.

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Image courtesy of "Le Journal de Québec"

Wolfgang Petersen, réalisateur de «Troie» et «L'Histoire sans fin ... (Le Journal de Québec)

Le réalisateur allemand Wolfgang Petersen est décédé d'un cancer du pancréas à 81 ans.

Il a ensuite réalisé des films d'action et des films catastrophes, notamment «Dans la ligne de mire», avec Clint Eastwood et John Malkovich, et «Alerte», qui relate la lutte des autorités américaines contre un virus très virulent, avec Dustin Hoffman. Celui qui avait connu le succès en 1983 avec deux nominations aux Oscars pour «Das Boot», thriller dont l'intrigue prend place à bord d'un sous-marin pendant la Seconde Guerre mondiale, est mort à son domicile de Los Angeles dans les bras de son épouse, a indiqué un porte-parole. Wolfgang Petersen, réalisateur de «Troie» et «L'Histoire sans fin» est mort à 81 ans

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Image courtesy of "The New European"

Wolfgang Petersen — “There'll never be another like him” (The New European)

“The Das Boot bloke dies” — there's a good chance that this will be the gist of many a Wolfgang Petersen obituary. It's understandable.

It was pancreatic cancer that would cause the credits to role on the life of Wolfgang Petersen. “It’s almost impossible to explain just how challenging it must have been for him to come out here after he made his masterpiece [Das Boot] and deal with the politics and the bullshit and the egos involved in big-time ’90s Hollywood action cinema. Pandemic drama Outbreak (1995), president-in-peril picture Air Force One (1997) and trouble at sea epic The Perfect Storm (2000) led studio executive Barry Isaacson to explain, “He was the perfect studio director of his era; technically proficient, a natural storyteller, able to accommodate the big stars and the big money without compromising his vision.” It’s really hard to explain just how big a deal Das Boot was in the 1980s. Indeed, three years would pass before he was again hired by a film studio, this time to make The Consequence, a controversial picture about a prison guard’s son, played by Ernst Hannawald, who falls in love with an inmate, again played by Prochnow. “The Das Boot bloke dies” — there’s a good chance that this will be the gist of many a Wolfgang Petersen obituary.

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Image courtesy of "ÉcranLarge.com"

L'Histoire sans fin, Air Force One, Troie... mort du réalisateur ... (ÉcranLarge.com)

Wolfgang Petersen, réalisateur de L'Histoire sans fin, Troie, En pleine tempête ou encore Le Bateau, est mort à 81 ans. Pour certains, il restera le ...

A noter que Wolfgang Petersen avait emmené dans sa valise le directeur de la photographie Jost Vacano, qui a collaboré avec lui sur Le Bateau et L'Histoire sans fin. Depuis Poséidon en 2006, Wolfgang Petersen n'avait réalisé qu'un film : Braquage à l'allemande, en 2016. Dans En pleine tempête, il orchestre un pur film catastrophe dans la grande tradition du genre, où George Clooney et Mark Wahlberg redonnent vie à la terrible histoire vraie d'une catastrophe maritime. Il replonge pour Poséidon, remake du film culte L'Aventure du Poséidon, où Kurt Russell mène un groupe de survivants dans un paquebot retourné par une vague. Pour d'autres, ce sera le (grand) faiseur hollywoodien d' [Air Force One](https://www.ecranlarge.com/films/841058-air-force-one), [Troie](https://www.ecranlarge.com/films/838097-troie), [En pleine tempête](https://www.ecranlarge.com/films/840340-en-pleine-tempete), [Poséidon](https://www.ecranlarge.com/films/839452-poseidon) et [Alerte](https://www.ecranlarge.com/films/842075-alerte). En 1993, c'est Clint Eastwood, John Malkovich et Rene Russo dans Dans la ligne de mire. Petersen a récupéré la bête, et a co-écrit le scénario avec l'écrivain. En 1985, c'est Dennis Quaid dans Enemy. Parce que Jost Vacano a ensuite suivi un autre réalisateur européen qui a dynamité Hollywood : Paul Verhoeven, sur RoboCop, Total Recall, Showgirls, Starship Troopers et Hollow Man. L'Histoire sans fin a conquis à peu près tout le monde. Encore un film culte, mais cette fois très populaire et familial. En 1977, son deuxième film, La Conséquence (Die Konsequenz), est censuré car jugé trop dangereux lors de sa diffusion télévisée – normal, c'est une adaptation d'Alexander Ziegler qui raconte une histoire d'amour gay.

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Image courtesy of "Le Monde"

La mort de Wolfgang Petersen, réalisateur allemand devenu valeur ... (Le Monde)

Après les succès de « Das Boot » et de « L'Histoire sans fin », il a rejoint les Etats-Unis, où il a réalisé thrillers, films catastrophe et péplums, ...

Il y côtoie Holger Meins, le futur dirigeant de la Rote Armee Fraktion (Fraction armée rouge), avec qui il coréalise un court-métrage. Né sur les rivages de la mer du Nord, au temps où la Kriegsmarine y régnait sans partage, le cinéaste allemand Wolfgang Petersen, dont l’œuvre la plus marquante reste Das Boot, chronique de la guerre sous-marine que se livrèrent le IIIe Reich et les Alliés, est mort le vendredi 12 août tout près du Pacifique, à Brentwood (Californie), des suites d’un cancer du pancréas, il avait 81 ans. C’est alors que Wolfgang Petersen s’attelle au projet de Das Boot.

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Image courtesy of "USA TODAY"

Wolfgang Petersen, blockbuster director of 'Das Boot,' 'Air Force One ... (USA TODAY)

Wolfgang Peterson ("Das Boot"), who directed Brad Pitt ("Troy"), George Clooney ("Perfect Storm") and Harrison Ford ("Air Force One"), is dead at 81.

ACTING ... NO acting ... acting ... Though critically maligned, it became one of the highest-grossing films of 2004, with a worldwide box office of nearly $500 million. "He was protective and kind toward me and I will cherish my memories of him forever." "That line is like Schwarzenegger's 'I'll be back' line in 'Terminator.' It didn't look like much on the page," says Marlowe. "I worked my (butt) off for that role." Wolfgang was so good at understanding those emotional moments and the understated heroic personality." As Pitt told USA TODAY this year. With a budget of nearly $185 million, "Troy" was one of the most expensive movies produced at the time. "Wolfgang was one of the first directors to take a chance on me," Kruger said in a statement to USA TODAY. Petersen went on to direct Clint Eastwood as a Secret Service agent in the 1993 thriller "In the Line of Fire" and Dustin Hoffman in the 1995 global pandemic virus thriller "Outbreak."

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Image courtesy of "The A.V. Club"

R.I.P. Wolfgang Petersen, director of Das Boot, The Perfect Storm ... (The A.V. Club)

German filmmaker Wolfgang Petersen, whose résumé is positively loaded with iconic films (Das Boot and The NeverEnding Story, just to name two) has died ...

[The Perfect Storm](https://www.avclub.com/film/reviews/the-perfect-storm-2000), and while it wasn’t necessarily a huge hit with critics, the film was pretty big at the time. The international success of Das Boot made Petersen an in-demand filmmaker in Hollywood, and he followed it up a few years later with similarly iconic fantasy film The NeverEnding Story, based on the book of the same name by German author Michael Ende. Following the crew of a German U-boat in World War II, the iconic “war is hell” film was nominated for six Academy Awards (including Best Director and Best Adapted Screenplay for Petersen himself).

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Image courtesy of "The A.V. Club"

Wolfgang Petersen remembered: 5 films that prove why he was one ... (The A.V. Club)

From the acclaimed Das Boot to the action-packed Air Force One, the German filmmaker leaves an impressive legacy.

(The posters emphasized this element, marketing the film with extreme close-ups of Ford clutching a machine gun above the “just-take-all-my-money-now” tagline of “Harrison Ford is the President of the United States.”) Air Force One (1997) [Air Force One](https://www.avclub.com/film/reviews/air-force-one-1997), the second-biggest commercial hit of Petersen’s career, is also his most popcorn-y. Fueling the mid-flight tension is a dizzying B-story on the ground, as the Vice President (Glenn Close, in a full-throated performance) struggles to navigate White House politics while fielding demands from Russian terrorist Gary Oldman to release imprisoned General Radek (Das Boot’s Jürgen Prochnow). As effective as he is with exciting chase scenes and boots-on-the-ground detective work, the director truly shines with his execution of the smaller, more intimate (and sometimes funny) moments between Frank and his love interest, Agent Raines (Russo)—the best of example of which is a second-act confession where Frank, backlit by a sad nightscape outside his downtown Los Angeles hotel room, lets out 30 years of built-up regret and grief by sharing with Raines what he saw that fateful day in Dallas on Nov. Jeff Maguire’s safe tumbler of a script (rumored to have been given a dialogue polish by Aaron Sorkin) clicks into place so snugly that one would assume that all a director has to do is show up, turn on the camera, and collect an easy paycheck. [The NeverEnding Story](https://www.avclub.com/film/reviews/the-neverending-story-1984). A guilt-stricken Frank was on duty in Dallas when JFK was killed, and the three shots that rang out that day in Daley Plaza still echo within him as he races to stop Mitch before he finds himself standing over the grave of another dead president. [The Consequence ](https://www.avclub.com/film/reviews/the-consequence-1977)(or Die Konsequenz in its native Germany) is a black and white, emotionally raw piece of LGBTQIA+ filmmaking. [In The Line Of Fire](https://www.avclub.com/film/reviews/in-the-line-of-fire-1993) starring Clint Eastwood, Rene Russo, and John Malkovich. (I mean, the guy made a CG tidal wave a star in 2000’s The Perfect Storm, the biggest financial success of his career). Based on Alexander Ziegler’s 1975 autobiographical novel of the same name, Petersen’s stirring adaptation centers on a gay prisoner’s love for his warden’s younger son and the homophobia that they endure in a world that won’t accept their relationship. Instead of relegating these men to a glorified footnote in the pages of WWII history, the director explores the emotional toll of their mission while rattling the audience’s bones like depth charges.

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