Nicolas Cage

Nicolas Cage plays Nick Cage — maybe, kind of, not really — in a comically romantic, buddy-movie thriller that is also an ode to him in all his Caginess.

There are no surprises other than the movie is watchable and amusing, though it’s too bad Gormican didn’t let Cage and Pascal just go with the absurdist, shambolic flow. “He’s up there in the air,” Pauline Kael wrote in a review of his freak-fest “Vampire’s Kiss,” “it’s a little dizzying — you’re not quite sure you understand what’s going on.” Amen to that. It’s very Hope and Crosby loosey-goosey, though sometimes it’s more blotto Snoop and Martha. Cage and Pascal bounce off each other nicely, with Pascal playing the wall to Cage’s ricocheting ball. It’s a pretty good joke: Cage plays himself, or rather a variation on a star also named Nick Cage. Wrung out, inching toward bankruptcy, proud yet humbled, and yearning for a role that’s worthy of his self-regard, this avatar looks and sounds like the real deal. There’s a story, way too much of one, crammed into an overstuffed, self-reflexive entertainment that soon finds Cage flying abroad. Tiffany Haddish and Ike Barinholtz show up as spies who dragoon Cage into a covert operation that allows the filmmakers to shift to more commercial terrain and bring out the heavy artillery.

In "The Unbearable Weight of Massive Talent," Nicolas Cage leans into the stylized acting that made him a pop culture icon.

There’s a running bit in “Massive Talent” about the cinematic achievement of “ Paddington 2,” the sequel to the live-action and animated film adaptation of a children’s story about a raincoat-wearing bear. “When I was in quarantine all I was doing was watching movies and I made some lists,” he said, pulling a few of them out of his suit pocket. “I did make a choice to try and work with my voice, enhancing what I would call the California draaawl.” “Sometimes the reality is in the stylization,” Cage said, emphasizing that naturalism and truthfulness are not always identical. Gormican said Cage was the best-prepared actor he’d ever seen; he and Horgan were both in awe that the actor was completely off-book at a table read before shooting. Although the Oscar winner “was terrified the whole time” they filmed, he was persuaded by Gormican’s sincerity and willingness to create deeper human relationships for his character. And while he is known for leaning into the ridiculous, it’s his most naturalistic performances that stand out to both audiences and actor. “People associate him with bombastic performances, which is not totally untrue, but he had the presence to carry this quiet movie without many lines, and with a lot of soul,” Sarnoski said. “I knew I had to send myself up quite a bit but didn’t want it to lapse into just mockery,” he said during an interview in a New York hotel. He can transcend the character and even the film he’s in.” The director said he and Kevin Etten wrote the script with Cage in mind, even as people who knew the actor warned them there was “not a chance in hell” he’d sign on. In “ The Unbearable Weight of Massive Talent,” Tom Gormican’s rollicking comedy out Friday, he does just that.

Nicolas Cage talks to USA TODAY about his best performances, most quoted lines and deeply meta new comedy "The Unbearable Weight of Massive Talent."

"I thought it was so bizarre: It looked like a little square box that had a funnel and a cone, and he put honey in it so flies would go in and get trapped in there," Cage recalls. "I got a little verklempt," Cage recalls. She's fun and it's such a fun moment." "It was a movie that I thought had a great deal of nuance and was very relevant," he says. "Massive Talent" adds plenty more meme-able moments to Cage's canon, not least of which when his character starts bawling watching "Paddington 2" for the first time. "I was being introduced to this character and I was an audience member 100%. It was like lightning in a bottle, the way that movie came together. In one memorable scene, Edward is tortured with a wire mesh helmet filled with bees, prompting his oft-parodied line, "Not the bees!" "I do think it's the best I was able to do. "The first was 'Leaving Las Vegas,' " for which Cage won the best actor Oscar in 1996. "That movie is very underrated and really isn't on anybody's radar. Earlier this year, Cage earned a best actor nomination from the Critics Choice Awards for "Pig," a gentle drama in which he played a reclusive truffle hunter in search of his stolen pig. "I watched the movie and it was like, I didn't know this person," Cage says.

"I once went to an Italian restaurant in San Francisco about 25 years ago with Charlie Sheen because they had square tube pasta and he was very interested in ...

"There's no version of Nic Cage that didn't put family first over career. Eater SF launched a search, enlisting San Francisco locals to help find the name of the restaurant — and in turn the pasta — that Cage visited over two decades ago. "First and foremost ... there's no version of Nic Cage in reality that doesn't want to spend time with his children," he said. Cage also spoke to PEOPLE about putting his family first when it comes to career opportunities. After sifting through responses from local food columnists, San Francisco natives and Twitter users, the outlet posted a query in a San Francisco Remembered Facebook group. He shared some advice he'd tell his younger self starting out in the movie industry.

Nicolas Cage busted some urban myths about himself on Jimmy Kimmel Live!—his first talk show appearance in 14 years! Find out what he had to say here.

"The next day, I said, ‘You know, this is so special.'" He said. "I did it in about half an hour," he recalled. "We were in North Dakoka, in the Black Hills, when we were shooting one of the Treasure movies," Cage noted. "Fire, I felt like [in the movie] Ghost Rider, I had explored the element of fire. "I got my [diving] certificate on the Great Barrier Reef; I explored the element of water. He got the idea to take up cave exploration when he learned that one nearby was on the market.

NEW YORK (AP) — “Metropolis.” Bruce Lee. Woody Woodpecker. A pet cobra. All of these things have been inspirations behind Nicolas Cage performances ...

(Cage also has two grown sons; a sticking point in “Unbearable Weight” was that he not be shown as an absentee father — one fiction Cage wouldn't permit.) After an unusually introspective press tour for the film, Cage is looking forward to returning to the desert outside Las Vegas, where he lives. “And I just wasn’t going to take it,” says Cage. "I knew that he thought more of me than he let on. It’s a slippery slope when you make the decision that you want to be emotional and raw." Cage's own exotic tastes — he once had to return a dinosaur skull he purchased that had been stolen from Mongolia — have contributed to his legend. “The Unbearable Weight of Massive Talent," which Lionsgate premiered at South by Southwest to warm reviews, allows him to play around with the notion of a comeback. “Movies are a business and it was not without peril that I took this path, but it was important to me,” he adds. “I grew up in a house where my mom would do things that if you put it in a movie, you would say that was over the top," says Cage, whose mother, Joy Coppola, was a dancer and choreographer. It’s a character based on you.’ And he’d go, ‘But he has my name.’ I was like, ‘Come on, man, just say the line.’” But I knew that was going to happen so it wasn’t anything I didn’t expect.” Yet by being “an amateur surrealist,” as he refers to himself, Cage has emerged — even after resorting to a string of VOD releases to pay off back taxes and get himself out of debt — as one of Hollywood's most widely loved stars. This is the actor who, channeling Nosferatu in “Vampire's Kiss," gave one of the most bonkers recitals of the alphabet ever heard. With more than 100 films, the 58-year-old Cage — an Oscar-winner (“Leaving Las Vegas"), an action star ("Con Air") and the source of countless Internet memes for his most theatrical moments in films like “Face/Off" — has long been one of the most particular tastes in movies.

From Moonstruck to Mandy, it's time to weigh in on one of cinema's most charismatic oddballs.

11 / 11 But for straight-up enjoyment, I’ll head for his screwball performance as commitmentphobe Jack Singer in 1992’s Honeymoon In Vegas. The plot makes little sense as a kind of sexist Indecent Proposal comedy, a few years before that movie even came out, as Cage somehow loses a massive bet in a poker game to gambler Tommy (James Caan), and has to offer Tommy his girlfriend Betsy (Sarah Jessica Parker) for the weekend to get out of it. Probably almost as enjoyable as it was for me, baptized into the church of Cage via Face/Off. As a proud churchgoer, I still kneel at the altar of John Woo’s masterpiece. The man who steered a loose cannon like Klaus Kinski to his finest performances seems like a natural pairing for Cage’s unpredictability, and Bad Lieutenant: Port Of Call New Orleans backs that suspicion up. An immortal action hero wielding an ax one minute and an emotional man of multitudes pondering the depths of grief the next, Cage channels his most subtle and extreme acting talents into one hyper-compelling character. In their sophomore effort—a decidedly comedic, zany, energized, quotable about-face from Simple—Cage carries the movie as an ex-con thief who, to become a straight-laced family man, steals a baby from a wealthy couple with “more than they could handle.” The actor supposedly butted heads with the Coens by suggesting changes to the character, but none of that friction shows on the screen: Whether he’s getting the shit kicked out of him by a biker, telling his boss to “Keep your goddamn hands off my wife,” laughing dumbly with a particularly dumb pair of brothers, or quietly tip-toeing through a brightly colored nursery, he gives a knockout comedic performance. Since Jack already sniped the objectively correct answer here, I’ll go with another one of Cage’s own personal favorites: Bringing Out The Dead. Martin Scorsese’s pitch-black paramedic drama is the rare film where Cage is giving the most restrained performance in any given room, as co-pilots John Goodman, Ving Rhames, and Tom Sizemore all swing for the rafters. Vanessa Block and director Michael Sarnoski’s tale of a stolen truffle pig doubles as a study of grief, and requires a level of expectation-subverting that perhaps only Cage is capable of. Nicolas Cage was still just getting started as an actor when he took the role of Sailor Ripley in the 1990 film, which may explain why it so vividly captured my imagination; he hadn’t yet fully showcased his “nouveau shamanic” acting style, so to watch him channel Elvis Presley—not just as an Elvis fan, but Elvis incarnate—was a mesmerizing spectacle. As a speed-metal fever-dream reimagining of The Wizard Of Oz, David Lynch’s Wild At Heart is so full of odd and wonderful performances that virtually any of them deserve to become favorites among the cast members’ individual filmographies. There are few Nic Cage quotes as iconic as “Chrissy, bring me the big knife!” which he utters as the hand-less, wife-less Ronny Cammerari in Moonstruck. Cage’s performance helps elevate the 1987 film from a melodramatic rom-com about an ill-fated marriage to a story about two tortured people who need each other. The question is simple: What is your favorite Nicolas Cage performance, and why?

Nicolas Cage has been in over 100 productions. In his most recent films, he is showing some of the finest acting of his career.

The first is a Lovecraftian tale of meteors, glowing goo and hostile alpacas. The “Cage Rage”, as it has become known, is there in full technicolour detail. When the pig is kidnapped, Cage re-enters the world, intent on finding his only true companion. Sean Penn, his contemporary and early rival, disparagingly called him a “performer”. Cage referred to himself as a thespian, a troubadour entertaining the mob. For sure, there were missteps along the way as he navigated his new-found status: the tabloid press had a field day reporting on his lavish spending. His nerdiness and ad-libbing was a refreshing antidote to the muscular action stars. Gone is the Elvis coolness of Wild At Heart (1990), the physical dexterity of National Treasure (2004) and the childlike blankness of City of Angels (1998). In Pig, Cage is bloated and bearded, wracked by grief and remorse. But the wheels soon fell off. Nor is he George Clooney, who has traded stardom for activism and advocacy. But best of all is Pig (2021). Here, Cage plays a grieving chef who has retreated to the Oregon wilderness with only a truffle-hunting pig for company. Co-stars were both baffled and bewildered. Cage shortly became a fully-fledged 90s action hero, with roles in The Rock (1996), Con Air (1997) and Face/Off (1997).

In the action comedy The Unbearable Weight Of Massive Talent, Nicolas Cage plays a fictionalized Nicolas Cage. This down-on-his-luck version of the actor ...

You may click on “Your Choices” below to learn about and use cookie management tools to limit use of cookies when you visit NPR’s sites. If you click “Agree and Continue” below, you acknowledge that your cookie choices in those tools will be respected and that you otherwise agree to the use of cookies on NPR’s sites. NPR’s sites use cookies, similar tracking and storage technologies, and information about the device you use to access our sites (together, “cookies”) to enhance your viewing, listening and user experience, personalize content, personalize messages from NPR’s sponsors, provide social media features, and analyze NPR’s traffic.

Nicolas Cage is preparing to welcome her daughter. Cage shared some “big news” while stopping by the “Kelly Clarkson Show” to promote “the unbearable weight ...

Source link Nicolas Cage and Riko Shibata give birth to a girl, revealing the name Nicolas Cage and Riko Shibata give birth to a girl, revealing the name Nicolas Cage and Riko Shibata give birth to a girl, revealing the name

Nicolas Cage said Elon Musk thwarted his attempt to get a film studio built in Las Vegas.

I tried to get a movie studio built there and then Elon Musk came in, and all the money I got for the movie studio — I got $80 million — they put into the Tesla corporation, which then ironically drained all of the water out of the city. If you want to just go with the locals and go to the cool restaurants then you can.” Cage lives in Las Vegas, and the city has been the backdrop for some of his films like “Leaving Las Vegas” and “Honeymoon in Vegas.” Cage won an Oscar for best actor for his performance in “Leaving Las Vegas.”

Writer and director Tom Gormican explains to us how he found the perfect role for the internet's favorite actor, Nicolas Cage: himself.

The blending of the real and fictional Cage on set led to interesting clashes where Cage would insist that the “real” Nicolas Cage wouldn’t say a particular line, then Gormican would remind the actor that he was portraying a character. While critics and audiences know that Cage is capable of greatness, especially when playing a neurotic type, there were a few years in the late 2010s where it looked like the actor’s marquee status was behind him. And I said, ‘So, you’re going to go to the bottom of the pool and that’s how you’re going to be…’ And he was like, ‘Tom, Tom, Tom. I know. The Unbearable Weight of Massive Talent finds Cage playing a fictionalized version of himself. For most folks who are “extremely online,” you either grew up with Cage’s movies or you grew up with the actor as an internet fascination. It’s not uncommon for celebrities to become trending topics on Twitter after a recent interview or talk show appearance, but the 58-year-old actor finds himself the topic of conversation online far more frequently than other actors of his generation.

Flanked by a very funny Pedro Pascal, the movie nearly buckles under its own weight at times but possesses enough goofy charm to validate this breezy exercise ...

Cage thus gets a chance to live out the espionage-type roles he's played for real, a scenario he approaches with method zeal and no small amount of terror. But said fan, Javi (Pascal), brings plenty of baggage to the situation as the known head of a crime cartel, with a pair of US government agents (Tiffany Haddish and Ike Barinholtz Directed and co-written by Tom Gormican (who has one other feature to his credit), the film requires Cage to be an extremely good sport, introducing him as a nearly washed-up star missing what he keeps describing as the possible role of a lifetime.

Nicolas Cage revealed he and wife Riko Shibata are having a baby girl, and they are naming her Lennon Augie after John Lennon and the actor's father, ...

It’s going to be the biggest adventure of my life.” “The parents-to-be are elated!” his publicist told People at the time. “I’m thrilled.

On aurait aimé que cette parodie de la carrière de Nicolas Cage ait plus de mordant, mais on s'y amuse quand même un peu.

Un rôle qui lui permettra – enfin – de briller à nouveau comme acteur sérieux. Même sa vie personnelle a pris une tournure qui n’a rien de sympa. Il ne parvient même plus à communiquer de manière satisfaisante avec sa fille Addy (Lily Sheen) qui vit avec sa mère Olivia (Sharon Horgan). Après une audition dans laquelle il se donne un peu trop à fond, il apprend qu’il n’obtient pas le rôle, mais en plus qu’il est terriblement endetté. Ici, Nic Cage (Nicolas Cage) est en quête d’un rôle solide.