A 'clever' film that doesn't do anything clever at all beyond its Hitchcockian opening credits, Windfall is a disposable and eye-rolling endeavour.
Ultimately, the most compelling mystery of Windfall is why three talented performers signed up for this hollow exercise in the first place. I’d spoil it for you, but maybe you should watch the scene yourself to witness exactly what happens when bad ideas turn into very bad movies. What ensues is a three-way standoff that grasps for ethical and moral dilemmas, coming up with nothing but sweaty palms.
“Windfall” is the kind of acting experiment that usually works for me. Trap three talented actors on a single set and bounce them off each other.
And the CEO knows that he’s probably on a number of enemies lists given how much downsizing he’s done to afford a place like this one. So much so that when he disappears for a long nighttime conversation between Collins and Segel, the film starts to sag. This isn’t exactly “Dog Day Afternoon.” It’s clear that the man isn’t in this for violence, and the CEO homeowner even tries to talk him through what to do next. However, the way McDowell and Segel approach this guy allows Plemons to steal the show as the most confident person in the room. And the premise here is strong enough to keep the film afloat for about an hour as these very different acting energies collide in the middle of the room. He starts to get a little more serious about the business at hand when he rifles through an office and finds some money hidden in a book.
A tech billionaire confronts his burglar in the Netflix's latest thriller.
But whereas The One I Love had a science-fiction twist, Windfall is propelled by a real-life crisis: the gaping chasm between the incredibly rich and the rest of us, and the impossibility of bridging it unscathed. Despite its gleaming setting, Windfall strikes the tone of a noir, its story suffused with a cynicism as sweeping as the vistas its mansion overlooks. Watching Segel’s burglar bumble his way into increasingly grim circumstances, I was reminded of The Edukators, the 2004 German-Austrian crime drama about a trio of young radicals who decide to teach the wealthy a lesson by breaking into their homes just to unsettle them. We learn that the origin of the billionaire’s fortune is an algorithm for layoffs and that he doesn’t feel bad about having created it; he wastes little time asking the thief if he was one of the unlucky who lost their jobs because of his work. And although this man is a total amateur, he piles crime on top of crime, taking the well-heeled couple hostage. And the burglar is an oaf; he struggles to unclasp the wife’s purse, can’t keep his boots tied, and has tantrums every time something doesn’t go his way, which is frequently.
'Windfall' is a Hitchcockian thriller starring Jason Segel, Lily Collins and Jesse Plemons, directed by Charlie McDowell.
And Collins delivers one of her best performances, as a woman gradually coming to realize she might be able to turn this intense standoff to her advantage. Played by Jesse Plemons and Lily Collins (cited in the credits as “CEO” and “Wife”), the couple is at first startled, and eager to shoo away the interloper, sending him off with a few thousand dollars in his pocket. He’s living his dream, unbothered and unrushed, snooping through the drawers and cabinets of the fabulously wealthy and taking what he wants.
The Netflix movie, directed by Charlie McDowell, follows three unnamed characters played by Jason Segel, Jesse Plemons and Lily Collins.
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The new thriller Windfall stars Jesse Plemons (The Power of the Dog), Lilly Collins (Emily in Paris), and Jason Segel (How I Met Your Mother) in a tense, ...
The latest film from director Charlie McDowell (The One I Love), now streaming on Netflix, is a Hitchcockian throwback, an exercise in restrained, clear filmmaking and the tension that arises when you put three people and a gun in a room together. In the ensuing one-act play, the real hostage isn’t a person, it’s the idea of the meritocracy, as Windfall slowly becomes a class-rage thriller about holding the Mark Zuckerbergs of the world prisoner. it’s only when the couple changes their plans and arrive to find him in their home that the film’s tense, 90-minute negotiation kicks off.