Why did Dolly Parton withdraw her name from being nominated into the Rock and Roll Hall of Fame? DOLLY PARTON announced that she's “bowing out” of ...
The Rock & Roll Hall of Fame announces this year’s class in May! “I really do not want votes to be split because of me, so I must respectfully bow out,” she said in the statement. “I do hope that the Rock & Roll Hall of Fame will understand and be willing to consider me again – if I’m ever worthy.
Dolly Parton shared a statement to her social media, writing, 'I really do not want votes split because of me, so I must respectfully bow out.'
This is not the only honour Parton has declined. In a decision shared to her social media accounts Monday, Parton wrote: “Dolly here! “I was absolutely floored when I heard that,” she said.
“Even though I am extremely flattered to be nominated for the Rock & Roll Hall of Fame, I don't feel that I have earned that right,” she wrote. “I really do not ...
“Next to the Sex Pistols, the Rock and Roll and that Hall of Fame is a piss stain,” they wrote. Dolly Parton’s letter has a very different tone, to put it mildly, and largely centers around the fact that she doesn’t see herself as a rock artist. “I respectfully decline my induction as a member of Guns N’ Roses to the Rock and Roll Hall of Fame,” Rose wrote. What if she gets into the Hall of Fame despite this recent statement? This puts the Hall of Fame into a somewhat awkward position. “I really do not want the votes split because of me, so I must respectfully bow out … I do hope that the Rock & Roll Hall of Fame will understand and be willing to consider me again — if I’m ever worthy.
Recusing herself from this year's nominations, the superstar reminds the music industry that only she gets to decide who she is.
(Though I’d argue a song like “ Baby I’m Burnin’” captures the spirit of rock music, even if she hasn’t put out an AC/DC-style scorcher.) Her assertion doesn’t seem like a case of imposter syndrome—it’s Dolly Parton—but rather a rejection of an outside label that Parton feels doesn’t fit quite right. On Monday, Dolly Parton announced that she was taking herself out of the running for induction into the Rock & Roll Hall of Fame. Rather than participate in the annual hero-worship rigamarole, Parton RSVPed with a firm no thanks. Her self-recusal from Rock Hall consideration may hint at parallel concerns about choosing sides, and raises questions about her own enduring relevance versus that of the institution.
Dolly Parton turned down the Rock & Roll Hall of Fame on Twitter. But while her tweet sparked a fan firestorm, her musical standards are unparalleled.
The Rock & Roll Hall of Fame isn’t the first major institution Parton has graciously sidestepped. One of the first to play what he called rock ’n’ roll was 1950s Cleveland DJ Alan Freed, who said: “Rock ’n’ roll is really swing with a modern name. Her official statement said: "I do hope that the Rock & Roll Hall of Fame will understand and be willing to consider me again — if I'm ever worthy. This has, however, inspired me to put out a hopefully great rock ’n’ roll album at some point in the future, which I have always wanted to do!" But Parton, who was inducted into the Country Music Hall of Fame in 1999, seems to feel differently about the criteria. That is rock ’n’ roll and that is us. Country music played a role in that evolution, of course, and Parton’s songs have influenced countless pop stars, including Miley Cyrus (Dolly’s goddaughter), Taylor Swift, Whitney Houston and Beyoncé, the latter two of whom covered “I Will Always Love You.” But when country music doesn’t also feature elements of R&B and guitars rooted in the blues, defining it as rock can feel like a musicological stretch. The decision to withdraw her nomination was widely supported by fans, admirers and members of the rock community, who praised Parton’s integrity. It’s the rhythm that gets to the kids — they’re starved of music they can dance to, after all those years of crooners.” ... Rock ’n’ roll is N.W.A,” he said in the group’s acceptance speech. I really do not want votes to be split because of me, so I must respectfully bow out,” she tweeted Monday morning, sending the Twitterverse into rapid response mode. She’s a country music legend, a prolific songwriter, a clever entrepreneur, a generous philanthropist, a sensitive humanitarian, a subtle feminist, a devout Christian and, in her own way, a rebel.
Parton bowed out of contention for the Rock Hall of Fame, but her strident independence, embrace of artifice and reinvention all scream rock 'n' roll.
Here’s hoping Parton will change her mind again and take country music with her to the Rock & Roll Hall of Fame. For Parton, it would be one more recognition of the perpetual interplay among genres and audiences that has made her music so beloved by so many for so long — and of the way her status as a feminist icon and embrace of the LGBTQ community have aligned her with rock’s sense of freedom. Parton may simply be feeling a sense of loyalty to the community that raised her up — she just co-hosted the Academy of Country Music awards. In a statement shared yesterday on social media, Parton announced that while she was “extremely flattered and grateful to be nominated,” she didn’t think she had “earned that right.” She didn’t “want votes to be split because of” her, and she was going to “respectfully bow out.” Parton gives the hoary tune new life by flipping the gender of Rodgers’ lyric — she’s a “lady muleskinner” — and by goosing it with a hurtling rock-and-soul rhythm track. This Hall of Fame episode had “inspired [her] to put out a great rock ‘n’ roll album at some point in the future, which [she had] always wanted to do,” the 76-year-old explained. And it’s even thanks to her brand of kinder, gentler entrepreneurship (If we can’t make college free for all, can we at least all get jobs at Dollywood?). It’s a cliché, but as close to true as a cliché can ever be: In our polarized times, the one thing everyone agrees on is that Dolly Parton rocks.