Turning Red

2022 - 3 - 11

Domee Shi - turning red cast - turning red movie

‘Turning Red’ tackles trial of tweens (unknown)

Turning Red” asserts the value of a metaphor signifying more than one thing. With any story centered on a 13-year-old's multidirectional hormones in the ...

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'Turning Red' confronts the messiness of adolescence with refreshing honesty (unknown)

In Pixar's new animated film, a Chinese Canadian girl awakens one morning to find that she's turned into an enormous panda. Turning Red provides a lot to ...

All of which is to say that Turning Red gives you a lot of ideas to grapple with. I also balked at moments that seemed to exaggerate for comic effect, especially when it came to Mei's mother, who's clearly been conceived along the lines of the controversial "tiger mom" stereotype. As it turns out, the red-panda effect is the result of some very ancient Chinese magic that's been passed down to Mei through the women in her family. And then one morning, in a twist that riffs on Kafka's The Metamorphosis and countless werewolf movies, she discovers that she's turned into an enormous red panda, with bright red-orange fur and a long, bushy tail. Director Shi, who wrote the script with Julia Cho, confronts the messiness of adolescence with an honesty that's refreshing in the world of studio animation. With her first feature, Turning Red, Shi leans further into the complexities of Asian parent-child relationships — and this time, she's come up with an even wilder conceit.

Post cover — Image courtesy of "CTV News"

'Turning Red' tells the story of growing up as a Chinese Canadian ... (CTV News)

Friday marked the premiere of 'Turning Red,' the new Pixar animated movie that chronicles what it's like growing up as a Chinese Canadian teen in Toronto.

Canadian actor Sandra Oh, who voice's Mei's mother, was keen to be a part of the project. It's like I wanted her to direct me," Oh said. "Turning Red" is also the first Pixar feature film to be solely directed by a woman, and the key filmmaking team was also all-female.

'Turning Red' review: Toronto-based Pixar movie an absolute joy from start to finish (q107.com)

Enter 13-year-old Meilin (Mei, voiced by Rosalie Chiang), the central figure of Pixar's Turning Red, who, within seconds, becomes one of the most enjoyable and lovable characters the studio has ever put out. She's a nut, a typical teen, fixated with ...

People of all ages, young and old, will love the movie, and it should instantly become a family classic on holidays and at gatherings. As Turning Red is based in the early 2000s, the Rogers Centre is still called the SkyDome, a nice touch that’ll tickle city denizens. Obviously, given that the main family is Chinese, and director Domee Shi (Bao) is of Chinese heritage, the story may hit more relevant points for people of Chinese descent, but it’s asinine to suggest that non-Asian people can’t identify with the movie. The movie is so incredibly fun, and so moving, and so sincere, I’m not sure how anybody couldn’t enjoy it. She’s less concerned with meeting everyone’s expectations; she’s funny and the life of the party. With echoes of ’80s movie Teen Wolf, Turning Red follows Mei as she learns to navigate life with her unique curse, which slowly turns into a blessing as the movie moves forward.

From TTC Metropasses to the CN Tower: 15 Toronto sightings ... (Toronto Star)

'Turning Red' is the first Pixar film to be set in Canada. Here are some moments in the film where Toronto is featured.

In the scene, two pedestrians scream at the sight of Mei’s panda form. The CN Tower is also visible throughout the film as Mei runs around the city as a red panda and when she and her friends are sitting on top of a roof staring at the city’s skyline. The Daisy Mart in Turning Red features bottles of maple syrup, Cheez-It-like boxes, Pringle-looking cans and more. Wired shelves are also prominent in the background, holding sauces, cleaning supplies and other products you can find at these supermarkets. Rogers Communications Inc., purchased the SkyDome back in 2004, officially changed the stadium’s name on Feb. 2, 2005. Her journey is then presented with another obstacle following the discovery that her ancestors carry a blessing of turning into a giant red panda whenever they strongly experience an emotion, be it anger, sadness, excitement or stress. Instead of a red and yellow globe with the words ‘MUCH,’ this logo in Turning Red centres a red maple leaf in a yellow circle with the words ‘VIEW.’ In a scene where Ming Lee finds the doodles of Mei and Devon, the Daisy Mart cashier, she wastes no time in speeding to the store to confront him for coming near her daughter. The landmark is shown in multiple scenes during the movie, first appearing in a Polaroid photo of Ming and Mei together in the film. The design of Mei’s Metropass not only mocks the TTC’s red logo and banner, which reads TT to stand for ‘Toronto Transit.’ The TTC’s slogan “Ride the Rocket,” also flicks to the transit agency but in Mei’s world, the slogan is “Ride the Rail.” Shi and the animators of Turning Red replicated the old layout of the CLRV TTC as the nostalgic designs are shown in a subsequent scene where Mei is completing her algebra homework on the streetcar while chatting with a man sitting beside her. But many commuters and residents will remember the CLRV’s wooden design that surrounded the inside of the streetcar, in addition to the layout that resembled a TTC bus.

'Turning Red' is a turning point for Asians in film. Why is it seen as unrelatable? (unknown)

The film, directed by Domee Shi, tells the story of Meilin (played by Rosalie Chiang), a Chinese Canadian 13-year-old, battling the ups and downs of the early ...

"The story of all of these friends and the family is so universal... There's emotions in 'Turning Red' that are absolutely part of a human story," she said. "It's not like I could relate to Ratatouille... I didn't even know Ratatouille was a dish," she said. That's what it kind of felt like," Wang Yuen said. Which is fine — but also, a tad limiting in its scope," O'Connell wrote. The film, which premiered Friday on Disney+, been widely hailed as a refreshing, creative look at tweendom and the awkwardness of growing up.